Courting Mae West

The play "COURTING MAE WEST: Sex, Censorship & Secrets" is based on true events during the 1920s when actress MAE WEST was arrested and jailed in New York City for trying to stage two gay plays on Broadway. Maybe she broke the law - - but the LAW couldn't break HER!

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Name: Mae West NYC
Location: New York, New York, United States

native New Yorker

Thursday, October 01, 2009

Mae West: Raid at the Biltmore

When it premiered at the Biltmore on 1 October 1928, MAE WEST's gay play "Pleasure Man" had a $200,000 box office advance. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the Biltmore Theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore on 1 October 1928 is dramatized via a backstage visit to Mae's dressing room at the Royale Theatre, as the actress prepares to go onstage as the diamond-draped Bowery queen and consort of mobster Gus Jordan.
• • "Courting Mae West" is seeking a co-producer and backers for a for-profit production.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" — — excerpt from ACT II, Scene 1 • •
• • • MAE WEST
That you, Jim?
• • • TEXAS GUINAN (TEXAS, age 44, enters MAE’s room clad in furs and diamonds)
The “butter and egg man” sent me, angel-pie.
• • • MAE WEST
The speakeasy hostess film-star herself! Still shooting in Flatbush? How’s it rolling, Texas?
• • • TEXAS GUINAN
It’s top-hat heavy. There’s a comical danse macabre with a District Attorney and a Judge.
• • • MAE WEST
Legal beagles! Don’t spoil my mood. Backers shouldn’t come backstage. It’s unlucky.
• • • TEXAS GUINAN
Pat from Variety visited the set of Queen of the Night Clubs. I steered her to your show tonight.
• • • MAE WEST
Oy! Variety’s always given me a black eye in print. They get my knickers in a knot.
• • • TEXAS GUINAN
This chick is a FAN. Pat admires the up-from-nothing Fellatio Alger characters in your plays.
• • • MAE WEST
My stomach’s full of “opening night” butterflies. Got enough congrats to wallpaper with.
(MAE shows TEXAS telegrams that arrived via Western Union)
• • • TEXAS GUINAN (TEXAS examines the telegrams)
• • • MAE WEST (MAE puts on stage jewelry for her role as the star of Diamond Lil)
Bet it warms Pat’s heart — to sit with you, basking in the glow of your investment-grade jewelry.
• • • TEXAS GUINAN
We would’ve had yuks. (pause) But you’ll be busy tonight — a little grape told me as it whined.
• • • MAE WEST
The Bowery Queen here is about to go on! Diamonds is my career…. NIX the BAD NEWS!
• • • TEXAS GUINAN
You need to know! Before he left for D.C., our Mayor gave his okay for a raid — at the Biltmore.
• • • MAE WEST (MAE is outraged and jumps out of her seat)
WHAT! It’s our opening night at the Biltmore! Tex, who told you there’ll be a raid tonight?
• • • TEXAS GUINAN
Walter Winchell doesn’t call me the gatekeeper of gossip for nothing.
• • • MAE WEST
Pleasure Man has a $200,000 advance. Who wants to sink my ship on its maiden voyage?
• • • TEXAS GUINAN
It’s pressure from the Prevention of Vice cranks. They’d convict the 12 apostles, if they could.
• • • MAE WEST
Convict! Stop with the unlucky words. My mother suffered when they jailed me last year.
• • • TEXAS GUINAN
I’ve learned to see the sunny side. Prison is one place where my diamonds seem safe.
• • • MAE WEST
Sunny! My trial ate my bankbook. I wanted to buy my parents a house. Now another raid!
• • • TEXAS GUINAN
Scandal is a career move. This time play the damsel in distress on the witness stand.
• • • MAE WEST
Mae West doesn’t do PATHETIC. (pause) Tex, what can be done to trouble-shoot this?
• • • TEXAS GUINAN
Honey-child, the problem with trouble-shooting is that, invariably, trouble shoots back.
• • • MAE WEST
Aww! My butterflies just went into battle formation. Diamond Lil goes on in thirty minutes.
• • • TEXAS GUINAN
Relax. You’ll get fried on the front page and it’ll boost your box office higher than a zeppelin.
• • • MAE WEST
Our Biltmore premier was sold out. An injunction can keep the show on — maybe. (MAE exits, bad posture revealing her agony from stomach cramps)
• • • TEXAS GUINAN
Never met a chick who was hurt by a headline. Give the little girl a nice big (pause) handcuff. (TEXAS exits with great style)
• • • • • • [LIGHTS: dim lights in MAE’s dressing room, Royale Theatre]
— — Excerpt: — —
• • • © "Courting Mae West: Sex, Censorship, and Secrets" by LindaAnn Loschiavo
• • • This play is protected under U.S. copyright law.
• • • NO permission is being given to duplicate this text anywhere else. Thank you.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
___________
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• • Photo: Mae West
• • the raid at the Biltmore • •

Mae West.

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Saturday, August 15, 2009

Mae West & Texas Guinan Tour

The famous speakeasy hostess Texas Guinan backed Broadway shows including "Diamond Lil" starring MAE WEST. As New Yorkers prepare for the "Gaudy Girls on The Great White Way" walking tour on August 16th, here's a small section from the opening of ACT II of "Courting Mae West," a play based on true events during the Prohibition Era.
• • Mae West's gay play "Pleasure Man" had a $200,000 box office advance when it premiered at the Biltmore on 1 October 1928. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the Biltmore Theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore on 1 October 1928 is dramatized via a backstage visit to Mae's dressing room at the Royale Theatre, as the actress prepares to go onstage as the diamond-draped Bowery queen and consort of mobster Gus Jordan.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" — — excerpt from ACT II, Scene 1 • •
• • • MAE WEST
That you, Jim?
• • • TEXAS GUINAN (TEXAS, age 44, enters MAE’s room clad in furs and diamonds)
The “butter and egg man” sent me, angel-pie.
• • • MAE WEST
The speakeasy hostess film-star herself! Still shooting in Flatbush? How’s it rolling, Texas?
• • • TEXAS GUINAN
It’s top-hat heavy. There’s a comical danse macabre with a District Attorney and a Judge.
• • • MAE WEST
Legal beagles! Don’t spoil my mood. Backers shouldn’t come backstage. It’s unlucky.
• • • TEXAS GUINAN
Pat from Variety visited the set of Queen of the Night Clubs. I steered her to your show tonight.
• • • MAE WEST
Oy! Variety’s always given me a black eye in print. They get my knickers in a knot.
• • • TEXAS GUINAN
This chick is a FAN. Pat admires the up-from-nothing Fellatio Alger characters in your plays.
• • • MAE WEST
My stomach’s full of “opening night” butterflies. Got enough congrats to wallpaper with.
(MAE shows TEXAS telegrams that arrived via Western Union)
• • • TEXAS GUINAN (TEXAS examines the telegrams)
• • • MAE WEST (MAE puts on stage jewelry for her role as the star of Diamond Lil)
Bet it warms Pat’s heart — to sit with you, basking in the glow of your investment-grade jewelry.
• • • TEXAS GUINAN
We would’ve had yuks. (pause) But you’ll be busy tonight — a little grape told me as it whined.
• • • MAE WEST
The Bowery Queen here is about to go on! Diamonds is my career…. NIX the BAD NEWS!
• • • TEXAS GUINAN
You need to know! Before he left for D.C., our Mayor gave his okay for a raid — at the Biltmore.
• • • MAE WEST (MAE is outraged and jumps out of her seat)
WHAT! It’s our opening night at the Biltmore! Tex, who told you there’ll be a raid tonight?
• • • TEXAS GUINAN
Walter Winchell doesn’t call me the gatekeeper of gossip for nothing.
• • • MAE WEST
Pleasure Man has a $200,000 advance. Who wants to sink my ship on its maiden voyage?
• • • TEXAS GUINAN
It’s pressure from the Prevention of Vice cranks. They’d convict the 12 apostles, if they could.
• • • MAE WEST
Convict! Stop with the unlucky words. My mother suffered when they jailed me last year.
• • • TEXAS GUINAN
I’ve learned to see the sunny side. Prison is one place where my diamonds seem safe.
• • • MAE WEST
Sunny! My trial ate my bankbook. I wanted to buy my parents a house. Now another raid!
• • • TEXAS GUINAN
Scandal is a career move. This time play the damsel in distress on the witness stand.
• • • MAE WEST
Mae West doesn’t do PATHETIC. (pause) Tex, what can be done to trouble-shoot this?
• • • TEXAS GUINAN
Honey-child, the problem with trouble-shooting is that, invariably, trouble shoots back.
• • • MAE WEST
Aww! My butterflies just went into battle formation. Diamond Lil goes on in thirty minutes.
• • • TEXAS GUINAN
Relax. You’ll get fried on the front page and it’ll boost your box office higher than a zeppelin.
• • • MAE WEST
Our Biltmore premier was sold out. An injunction can keep the show on — maybe. (MAE exits, bad posture revealing her agony from stomach cramps)
• • • TEXAS GUINAN
Never met a chick who was hurt by a headline. Give the little girl a nice big (pause) handcuff. (TEXAS exits with great style)
• • • • • • [LIGHTS: dim lights in MAE’s dressing room, Royale Theatre]
— — Excerpt: — —
• • • © "Courting Mae West: Sex, Censorship, and Secrets" by LindaAnn Loschiavo
• • • This play is protected under U.S. copyright law.
• • • NO permission is being given to duplicate this text anywhere else. Thank you.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]

• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read previous posts on this blog.
___________
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• • Photo: Mae West
portrayed by Yvonne Sayers, Texas Guinan portrayed by Eileen Glenn • • one of the trial scenes in Courting Mae West • •

Mae West.

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Saturday, July 18, 2009

Mae West: Lil Fulfilled

The summer air was feverish with applause during July 1928 when MAE WEST was riding a big box office wave at the Royale Theatre.
• • Though this Broadway showplace [located at 242 West 45th Street] had first hung out its shingle during January 1927, and has become known for long-running musicals, a non-musical was the theatre's first bonanza: Mae West’s "Diamond Lil," which wriggled in on 9 April 1928 and maintained its sunny side up for over 170 performances.
• • Time Magazine took its temperature [issue dated Monday, 23 April 1928].
• • Time's theatre critic, sparing no flair, admitted Lil had his heart at hello: "Diamond Lil" — — Propped up under the armpits by a dress that might have been designed by the stage carpenter, Mae West played the role that she had written about a bygone queen of Manhattan's underworld. Diamond Lil was a harlot whose heart was as big and golden as the enormous swan shaped bed that stood in her elaborate cubicle above Gus Jordan's saloon and brothel. None the less, she was hardboiled; when a Salvation Army captain came to save her soul, she planned to seduce him and when a lady threatened a double cross, Diamond Lil stabbed her in the tenderloin district. Despite her efforts, Gus Jordan, the Bowery boss, is caught eventually, for white slave trafficking. The Salvation Army captain, really a member of the police force, is his captor; Diamond Lil cuddles into his arms at the end saying, "Boy, I knew you could be had.''
• • Actress West plays her heroine with an eloquent and minatory calm, which contrasts well with the chryselephantine magnificence of her appearance. There are old-time tough songs, outmoded slang words ("moll," "dick," "corset"), and singing waiters, one of whom yodels, in the musty barroom, the same song with which he recently amused Manhattan cabaret patrons. "Diamond Lil" is an entertaining melodrama, concluded Time's man on the aisle.
• • You just don't hear critics uttering "minatory" these days, do you? Minatory — — means of a menacing or threatening nature
• • And how about that $25 phrase "the chryselephantine magnificence"? Chryselephantine — — (adjective) means made of, or overlaid with, gold and ivory, as certain objects made in ancient Greece.

• • The Royale Theatre on West 45th will be one of the tour stops on 16 August 2009.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read this blog and/ or post any questions.
___________
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• • Photo: Mae West
• • onstage in 1928 as Diamond Lil • •

Mae West.

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Thursday, July 16, 2009

Gaudy Girls on The Gay White Way

Join us for an a-MAE-zing afternoon focused on Mae West & Texas Guinan!
• • On 16 August 2009, come up and enjoy an a-MAE-zing experience — — a walking tour of historical sights in the Times Square area. This year the Annual Mae West Birthday Tour also commemorates speakeasy hostess Texas Guinan, the generous friend who backed all of Mae’s Broadway shows during the 1920s.
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Attire: why not wear a Mae West-inspired hat?
• • Info: T. 212-614-9683 — — or post your RSVP or tour question here
• • Online: MaeWest.blogspot.com — — TexasGuinan.blogspot.com
• • Who: Playwright LindaAnn Loschiavo makes the tour educational and entertaining.
• • LindaAnn Loschiavo's history play "Courting Mae West" was onstage in July 2008 at the Fresh Fruit Festival. She is working on a biographical travel guide "Mae West's New York, 1899—1959" and will show some of her unusual theatre memorabilia and vintage photos during the tour and reveal secret addresses tied to Mae West that have not been disclosed before. These rare pictures show the area as it looked during the 1920s when Mae West and Texas Guinan had their name on several marquees.
• • Surprises: Prizes and other nice things are part of the fun
• • Members of the press may attend on August 16th as our guest. RSVP required.
• • • • Mae West Walking Tours You Might Have Enjoyed • • • •
• • 2006 TOUR: Our regular Mae-mavens will recall seeing the historical exhibition "Onstage Outlaws: Mae West and Texas Guinan in a Lawless Era,” which opened to the public after a Gala Roaring-20s theme Press Preview on Mae’s birthday 17 August 2006. And on Sunday afternoon 20 August 2006, more than two dozen beautiful people gathered on West Ninth Street to enjoy a special treat — — "Washington Square Women: Mae West and Texas Guinan in Greenwich Village" — — followed by a Jazz Era brunch served with champagne and the Cos-MAE-Politan cocktail, garnished with two strategically placed plump raspberries.
• • 2007 TOUR: On Friday evening 17 August 2007, a fascinating guided adventure — — "The Mae West Side Story" — — escorted numerous intrepid walk-abouts to three of Mae's former residences along with other sites linked to the Brooklyn bombshell.
• • 2008 TOUR: On Sunday afternoon 17 August 2008, the captivating Diamond Divas led a group of over two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career, gay themes, courtroom woes, and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon. The 2008 walking tour — — "Mae West's Walk on the Wild Side" — — celebrated the 115th birthday of the Empress of Sex with an extravagant musical program, performed live by Met Opera soprano Marlena de la Mora and Sharon Weinman, which included these numbers: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Tour photos can be seen on the Mae West Blog.
• • For more details, do read this blog and/ or post your email. [Your info will not be posted nor available so that miscreants and rascals can access it.]
___________
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• • Photo: Mae West
's pal • • Texas in Times Square with police 1927 • •

Mae West.

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Saturday, June 20, 2009

Mae West's Drag Raging

Written in 1926, MAE WEST's controversial play "The Drag" will be onstage this weekend and next. If you're not in the Midwest, you can still enjoy a video of this production [link below].
• • Announcing that a "Boundary-pushing play on drag and homosexuality opens," scribe Ellen Harris (reporting from Iowa) gives us a preferential peek into the backstage prepping.
• • Ellen Harris writes: The cast members of Dreamwell Theatre’s The Drag sweated and sang their way through rehearsal in the cramped quarters at the First Baptist Church on June 10, utilizing the borrowed attic to the best of their combined abilities.
• • “It’s a garret for theater,” said first-time director Chuck Dufano about the less-than-ideal practice space.
• • Since the beginning of May, Dufano and his cast and crew have rehearsed The Drag, a 20-century play written by silver-screen star Mae West. This presentation, a Dreamwell Theatre production, will be performed at the Universalist Unitarian Society, 10 S. Gilbert St., at 7:30 p.m. on Friday and Saturday and June 26-27, 2009.
• • “The play as a whole is very serious,” Dufano said. “But with [the 1920s-era songs] and drag bits in between, it interjects a lightness. It’s a great commentary, really.”
• • The performing arts — particularly theater — are known for its support and acceptance of the lesbian, gay, bisexual, and transgender community. Unsurprisingly, Mae West felt comfortable using her sex-symbol status to educate the public on matters of a delicate, discreet nature. Her first big play, titled Sex, led to her prosecution in 1927 by New York City officials on charges of questionable morality. Her subsequent eight-day incarceration helped propel West into fame. Her next piece, The Drag (written that same year), never had a Broadway première — the Society for the Suppression of Vice (a Prohibition-era institution dedicated to supervising the morality of the public) promised to banish the play.
• • The Drag, a severely dated presentation on homosexuality and drag culture, follows a few days in the life of Rolly Kingsbury, a wealthy, unhappily married man whose secret life of queers and queens takes a giant toll on his personal and professional lives.
• • Seasoned actor (and UI alum) T.J. Besler plays the tormented and confused Kingsbury, using small mannerisms — such as the touch of a hand upon a shoulder — to illustrate his longing for something other than his wilting flower of a wife, performed by Wartburg College graduate Becca Robinson.
• • Besler, whose résumé is full of various dramas and musicals, cited the diverse cast of The Drag as part of its community appeal.
• • “There are homosexual cast members, there are heterosexual cast members,” he said. “I think it’s great.”
• • Though originally written as three acts of straight dialogue, Dufano and music director Elisabeth Ross decided that some 1920s-era music would lighten the darker nature of the play. Almost every character gets a melodic spotlight, belting famous tunes such as “The Man I Love” and “Making Whoopie.” Ross, a UI graduate teaching elementary music in the area, assisted the actors in preparing to burst into song, as actors are wont to do in musical theater.
• • “There are a lot of really awesome voices here,” Ross said. “I think they make [the song interludes] work.”
• • Dreamwell is observing June’s Gay Pride Month, producing The Drag in conjunction with Pride Fest activities. Various Iowa City establishments, such as Studio 13, 13 S. Linn St., will host gay-community events, such as tonight’s cabaret and Saturday’s drag show. The celebrations in the city are testament to the community’s support of all of its denizens.
• • Robinson, The Drag’s female lead and a member of Dreamwell Theatre’s board, applauds the social and political efforts of gay, lesbian, bisexual, and transgender organizations.
• • “This struggle has been going on [forever],” she said. “In this current time, when we see some advances are really starting to be made, it’s a reminder of how long they’ve taken to get there, how far they’ve come, and how much further they’re going to go.”
• • The essence of that era is evident in the language of The Drag. Terms such as “degenerates” and “moral lepers” are used when describing “victims of moral depravity” — namely, the gay men whose lifestyles are described in a physician’s book, one of the key set properties in the production. There is a scene in which a judge argues for homosexuals to be institutionalized, jailed, or sent to an asylum to deal with their “curse.”
• • Robinson is quick to explain the controversial moment.
• • “I feel like the dated bits are balanced by the fact that there are very ‘out’ homosexual characters who aren’t ashamed of what they are and who are having a really wonderful time,” she said.
• • However far society has come, some arguments that the play presents seem strikingly familiar. Debates about feminine versus masculine behavior and nature versus nurture as it relates to sexual development — these discussions are as recent as Miss California Carrie Prejean’s decrowning and the legalization of same-sex marriage in Iowa.
• • As Iowa has progressed, so has the theater. Though a constant haven for those who feel outcast by societal norms, even the performing arts have held antiquated views on sexual identity — West’s characterizations in The Drag are a prime example. The play may unpleasantly surprise audiences with its terminology, but the innuendo of the delightful drag queens (so honored by the title) draws more than enough laughs from the crowd.
• • “I think the show has something for everyone,” Besler said. “No matter what point of view you’re coming from.”
• • "The Drag" is onstage here: Universalist Unitarian Society — — 10 S. Gilbert Street, Iowa City, Iowa 52240.
• • NOTE: A slide show along with a video that shares song numbers from Mae West's play "The Drag" can be seen online currently — — http://www.dailyiowan.com/2009/06/18/Arts/11739.html
— — Source: — —
• • Article: "Boundary-pushing play on drag and homosexuality opens"
• • Byline: Ellen Harris | Staffwriter
• • Published in: The Daily Iowan — — www.dailyiowan.com
• • Published on: 18 June 2009

• • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer for a for-profit off-Broadway production.
___________
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• • Photo: Mae West
• • 1927 newspaper • •

Mae West.

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Friday, June 19, 2009

Mae West: "The Drag" Returns

MAE WEST's controversial play "The Drag" will be onstage not far from the cornfields of the Midwest this weekend. Don't miss it.
• • Deanna Howard's feature in The Iowa City Press-Citizen gives some background.
• • Deanna Howard writes: The second play of Dreamwell Theatre's season of "inciting theatre" is none other than Mae West's play, "The Drag." Organizers chose "The Drag" to coincide with local Gay Pride festivities.
• • "It's a chance for today's LGBT population to see how far we've come in the way of the social mindset, as how familiar some of the struggles are to our own today," said director Chuck Dufano.
• • "Things might get a little bizarre ... which is all in keeping with any good gay pride festival."
• • Dreamwell presents "The Drag" at 7:30 p.m. this Friday and Saturday and June 26
27, 2009 at the Universalist Unitarian Society. ...
• • Mae West wrote the play in the mid-1920s.
• • "For its time, it was a daring script," Dufano said. "She allowed gay men to speak in their own voice."
• • It's an interesting play because while it was cutting-edge then, by today's standards it's rather backwards, Dufano said.
• • "The Drag" centers on Rolly Kingsbury, a judge's son, who is set to inherit the family's ironworks business.
• • Kingsbury's marriage crumbles when the secret of a past affair with a man comes to light, as well as an affiliation with the local drag community.
• • Iowa City resident Gary Tyrrell plays one of the drag queens, Clem, in the production.
• • Growing up, Tyrrell was often encouraged to suppress his feminine side, to be ashamed of it.
• • Being in "The Drag" has allowed Tyrrell to come to grips with his childhood. He's enjoying the opportunity to show off his feminine side on stage. "It's been a lot of fun," Tyrrell said. "It's a good story. It has a lot of fun music from the Roaring 1920s."
• • Universalist Unitarian Society — — 10 S. Gilbert Street, Iowa City, Iowa 52240.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
— — Source: — —
• • Article: "Dreamwell presents 'The Drag'"
• • Play part of local Gay Pride events
• • Byline: Deanna Howard | Staffwriter
• • Published in: The Iowa City Press-Citizen — — www.press-citizen.com/
• • Published on: 18 June 2009
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer for a for-profit off-Broadway production.
___________
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• • Photo: Mae West
• • 28 March 1927 trial • •

Mae West.

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Tuesday, May 12, 2009

Mae West: Haunting Bridgeport

MAE WEST might have put the blame on Bridgeport — — but did she go back to bedevil a playhouse?
• • During the early 1920s, impresario Sylvestre Poli brought the Poli Palace to the Nutmeg State.
• • Designed by architect Thomas W. Lamb and eventually renamed Loew's Palace Theater [1325 Main Street, Bridgeport, CT 06604], this landmark was the biggest movie theater ever erected in Connecticut — — and the largest among Bridgeport's 20-plus theaters. Poli's was actually one of two theaters built inside a single building (the other being the Majestic).

• • Despite the public's curiosity about the controversial vaudevillian Mae West, and her latest play "The Drag," Jim Timony could only manage to secure half a week at Poli's Park, which was then in use as a burlesque house in Bridgeport. It was a dreary and wintery Monday on 31 January 1927 when the Morals Production Company hoisted a banner over the trolley cars criss-crossing Main Street. Pedestrians were intrigued by this saucy announcement: "The Drag" by the author of SEX — — more sensational than Rain or The Captive!"

• • While they were lodging at the Arcade Hotel, Beverly West and Edward Elsner (Mae's sister and director) were arrested at 5 AM on 2 February 1927. Both the play and the arrest were the talk of Bridgeport.
• • Ghost-busting and career-boosting • •
• • Currently researching a local squad of spirit-chasing cops, whose haunts are the historic Bridgeport theaters, John Burgeson has alerted readers of The Connecticut Post to the intersection of ghost-busting and career-boosting aims currently afoot on Main Street.
• • Writing from Bridgeport, John Burgeson asks the famous question: When the ghosts that haunt Bridgeport's old Poli Palace theater get out of line, who you gonna call?
• • Why the cops, of course — — or, more specifically, the East Coast Paranormal Police.
• • Now, the newly formed ECPP might have a shot at fame. On Monday, a TV producer was in town to shoot footage of the ghost-hunting cops in action inside the Poli Palace and Majestic theaters downtown on Main Street, two long-abandoned, historic showplaces that score high on the creepiness scale.
• • "Today, we're doing a pitch tape for a new show we have in mind," said Rob Johnson, a production coordinator for Pangolin Pictures. "We understand that the Poli Palace might be haunted and Jim Myers suspects that there might be a poltergeist here."
• • Jim Myers, a 12-year veteran with the Bridgeport Police Department, is the man behind the ECPP, which has been getting help from one of the heavy hitters in the ghost-hunting business, famed psychic and Monroe resident Lorraine Warren.
• • Pangolin Pictures, which has three Emmy Awards to its credit, is primarily a producer of nature films for cable networks. These include "Tarantulas: King of Spiders" and "Jaws and Claws."
• • Johnson notes that while there are other ghost-hunter shows, Pangolin likes the fact that Myers uses "police training" to investigate strange occurrences.
• • "We think that's an interesting angle that will be new to paranormal shows," he said. "In 'Ghost Hunters,' they're plumbers by trade. Jim's group all have had police training."
• • On Monday, Johnson and his assistant, Gina Fitch, were busy shooting footage of Myers and his 11-person team as they explored the dusty innards of the Poli Palace and two attached buildings, the Majestic theater and the Savoy Hotel.
• • In 2007, the direct-to-video cop action flick starring Steven Seagal shot in downtown Bridgeport included scenes filmed at the Poli and Majestic theaters. The showcases continued screening movies sporadically into the early 1970s, long past their glory days as venues for elaborate live entertainment, and later for first-run Hollywood movies. Through the early 1950s, it wasn't unusual for movie stars to turn out on opening night to boost attendance.
• • While plans have been floated over the years to restore the theaters, nothing has ever become of them. Johnson hopes that the pitch tape, which will be about five minutes long, will be pedaled to the various cable channels, such as Discovery, National Geographic Channel, TLC, the History Channel and so forth. He said that it may take six months or longer for the channels to decide whether to proceed with the idea.
• • "It's just a quick piece to show Jim and his team, and what they can do," Johnson said, "and to show the network what it would look like as a series."
• • If a network picks up the idea, the ECPP would be central to the show, which would follow the team as it checks out various reports of paranormal activity up and down the East Coast, Johnson said.
• • Bridgeport City Historian Mary Witkowski, also interviewed Monday by Johnson, said there's no shortage of reasons why there might be strange goings-on inside the theaters.
• • Mae West: Is that you? • •
• • "First it could be the Golden Hill Paugusset [Indian] tribe, whose graves may have been disturbed when they built there. It could be Dutch Schultz, the rum-runner who was murdered in New Jersey — — he did a lot of business in Bridgeport back in the 1930s. Or, it even could be Mae West ---- she had performed here, got into trouble and spent the night in jail," Witkowski said. "Maybe she wants to get back at us."
• • Myers said he has 16 to 18 members in the ECPP, and all are trained in police work. "I actually come in here on a weekly basis because the city gave me the key, so I can keep an eye on the place," Myers said. "I've seen a couple of photos that were taken here that were pretty strange."
— — Source: — —
• • Article: "Ghost-hunting cops haunt historic Bridgeport theaters"
• • Byline: By John Burgeson
• • Published in: The Connecticut Post — — www.connpost.com
• • Published on: 11 May 2009
• • • • • • • • • • • • • • • • • • • • • •

• • The arrest at the Arcade Hotel after "The Drag" is dramatized in the play "Courting Mae West." Beverly's drunken antics and Mae's strategies are featured in Act I, Scene 2. You can watch a portion of this surprising scene on YouTube.
• • The "scene of the crime" is still in business: Arcade Hotel 1001 Main St, Bridgeport, CT 06604; Tel (203) 333-9376.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer for a for-profit production.
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Source:http://courtingmaewest.blogspot.com/atom.xml

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• • Photo: Mae West
• • Poli's 1927 • •

Mae West.

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