Mae West: On 17 August 2015

Happy Birthday to MAE WEST, the Brooklyn Bombshell, the Queen of Comedy, who maintained a long career on stage and on screen and also sizzled on the nightclub circuit.
• • Delivered by a local mid-wife, this newborn drew her first lusty breaths in Bushwick on Thursday, 17 August 1893 (under the leonine sign of Leo) in her parents' bedroom. Little Mary Jane West always said: "I was born on a cool night in a hot month so I knew I could expect anything."
• • She trumped the income of every film actress of her generation because Mae was paid as a screenwriter as well as a box office draw.
• • Each day at least one publication in the world mentions her name. [We can verify our claim, too, because we've tracked this a-Mae-zing trend daily for the past decade.]
• • Often imitated but never duplicated, the one and only Mae West endures in our hearts and memories.
• • Darling Mae, to your loyal followers, you don't look a day over twenty-sex!
• • Annual Mae West Tribute in NYC • •
• • Honoring NYC Icon Mae West on 17 August 2015 • •
• • Onstage Outlaws — — Mae West and Texas Guinan during the Lawless Prohibition Era • •
• • 3 events commemorated the Brooklyn bombshell’s August birthday in the room where she faced a judge who sent her to jail • •  
• • On Monday, 17 August 2015 • •

• • Here are two pictures taken in New York City at the annual celebration of Mae West's birthday.  
• • Mae-maven extraordinaire Walter Egielski won a coveted 1928 sketch of Mae as Diamond Lil. 
• • Greenwich Villagers Maura Tobias and Sheldon Silberstein won a rare set of Texas Guinan films.
• • Topaz Lennard left the event and went home like royalty — — in a brand new chauffeur-driven limousine, courtesy of Bill's Limo. Standing next to the energetic cabaret singer is the company's CEO, William Dossena.  

• • More August 17th photos will be posted soon.
• • Find out more about this year's event:
• • Here's the NYPL link — http://www.nypl.org/events/programs/2015/08/17/onstage-outlaws-mae-west-and-texas-guinan-during-lawless-prohibition-era 
• • Here's a fascinating article on speakeasy queen Texas Guinan written by syndicated columnist Lenore Skenazy — New York's Night Club Queen Was as Big as Texas
• • Here's an interview with Mae-maven LindaAnn Loschiavo — A Conversation with NYC Playwright LindaAnn Loschiavo
A Conversation with NYC Playwright LindaAnn Loschiavo 
• • The weekly events magazine Time Out New York recommended this event:
Time Out New York recommends "Onstage Outlaws Mae West and Texas Guinan"
• • Details — — Mae West Tribute: Triple Treat in 2015 
• • In Her Own Words • • 
• • Mae West said: "My play 'Sex' was a work of art."
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
• • Source: http://CourtingMaeWest.blogspot.com/atom.xml
___________________________________________
• • Source: http://courtingmaewest.blogspot.com/atom.xml
Courting Mae West
Mae West
• • Photo: Mae West • • event at Jefferson Market Library, formerly a court • •
NYC
Mae West.    

Mae West: August 2015 Events

MAE WEST will have her annual hometown hoe-down in August.
• • Onstage Outlaws — — Mae West and Texas Guinan during the Lawless Prohibition Era • •
• • 3 events commemorate the Brooklyn bombshell’s August birthday in the room where she faced a judge who sent her to jail • •
• • New York, NY, July 13, 2015 — During the 1920s, when Mae West was trying to build her career, the building all dramatists and actresses tried to avoid——Jefferson Market Court at 425 Sixth Avenue—— was the very site that made a little-known performer world famous. When N.Y. District Attorney Joab Banton had Mae West arrested and paddy wagoned to Jefferson Market Police Court on February 9, 1927, the controversial Brooklyn entertainer made global headlines for the first time. The actress-writer also served time in Jefferson Jail. At her side, covering the trial for the New York Journal American, was Texas Guinan, Mae’s friend and a frequent passenger in the police department’s Black Maria herself.
• •  In the 1920s, though most Broadway headliners avoided negative publicity, these two diamond-draped divas flouted convention, defied police, and became as well known for being handcuffed as for blazing their way onto theatre marquees. They were “onstage outlaws” during the Prohibition Era.
• •  When Mae West [1893-1980] and Texas Guinan [1884-1933] weren’t being chased by the purity police, they found time to enjoy the speakeasies, bookshops, restaurants, night spots, and theatres in Greenwich Village. In 1907, Texas-born Texas Guinan moved to New York, where she resided at 72 Washington Square South, then at 17 West 8th Street. The speakeasy queen owned bracelets set with 567 diamonds each and a fancy armored car that once belonged to the King of Belgium.
• •  To celebrate Mae West's birthday on August 17, 2015, there will be an illustrated talk: "Onstage Outlaws — — Mae West and Texas Guinan during the Lawless Prohibition Era.” Rare vintage images will show you the buildings around Washington Square as these two headline-makers saw them. Sites include the Village speakeasies where Mae socialized and bent elbows with Texas Guinan, Walter Winchell, Jack Dempsey, George Raft, and Barney Gallant; significant theatres; court rooms where Mae and Texas fought City Hall; and off-beat addresses that made an impact. Rare Texas Guinan silent films will be shown and Mae West’s Jefferson Jail poetry will also be read.
• •  The speaker LindaAnn Loschiavo is a Greenwich Village historian and dramatist; her plays include “Courting Mae West: Sex, Censorship, and Secrets” and “Diamond Lil, Queen of the Bowery.”

        — — — — Who, What, When, Where — — — —
• • What: Onstage Outlaws — — Mae West and Texas Guinan during the Lawless Prohibition Era
• • When: Monday, 17 August 2015 — — from 6:30 — 8:00pm (doors open at 6:00pm)
• • Where: Jefferson Market Library, 425 Sixth Avenue, New York, NY 10011 (at West 10th Street)
• • Extra: to celebrate the birthday of Brooklyn bombshell Mae West, on August 3rd and on August 10th, her films will be shown at 6:00pm. The first one, "Sextette" [1978] will be screened on August 3rd. Then "Go West Young Man" [1936] will be screened on August 10th. The August 17th multi-media presentation will feature light refreshments (courtesy of East Village Cheese) and a raffle. You could win rare films starring Texas Guinan. Or maybe a rare reprint by The New Yorker’s caricaturist Alfred Freuh or by a famous N. Y. Times illustrator.
• • Refreshment sponsor: East Village Cheese
• • Subway: IND line to West Fourth Street; PATH train to West 9th Street
• • Fee: FREE — — no entry fee for the three Mae West events on August 3rd, August 10th, and August 17th, 2015
• • Phone: 212- 243-4334
• • Website for all things Mae West: http://MaeWest.blogspot.com
• • Here's the NYPL link — http://www.nypl.org/events/programs/2015/08/17/onstage-outlaws-mae-west-and-texas-guinan-during-lawless-prohibition-era 
• • Here's a fascinating article on speakeasy queen Texas Guinan written by syndicated columnist Lenore Skenazy — New York's Night Club Queen Was as Big as Texas
• • Here's an interview with Mae-maven LindaAnn Loschiavo — A Conversation with NYC Playwright LindaAnn Loschiavo
A Conversation with NYC Playwright LindaAnn Loschiavo 
• • The weekly events magazine Time Out New York recommended this event:
Time Out New York recommends "Onstage Outlaws Mae West and Texas Guinan"
• • Details — — Mae West Tribute: Triple Treat in 2015
• • Mae West said: "I enjoyed the court room as any other stage." 
• • Mae West told the jail matron: "Whaddya mean strip? I thought this was a respectable place!"   
• • In Her Own Words • •
• • Mae West said: "My play 'Sex' was a work of art."
• • Mae West said: "I'd rather be looked over than overlooked."
• • Link to August events
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
• • Source: http://CourtingMaeWest.blogspot.com/atom.xml
___________________________________________
• • Source: http://courtingmaewest.blogspot.com/atom.xml
Courting Mae West
Mae West
• • Photo: Mae West • • with Texas Guinan in court, in 1930 • •
NYC
Mae West.    

Mae West: Gin, Sin, and O'Neill

Act I, Scene 1 of the stage play "Courting Mae West" begins in Bohemia, inside the gay cabaret that inspired MAE WEST to write her play "The Drag." During the 1920s, Paul & Joe's was an Italian restaurant that catered to people involved at Jefferson Market Court by day — — and then turned into a colorful pansy party after dark. Clues to the cross-dressing scene were planted in The New York Times, for instance, where revelers, notable drag queens, and scene-makers could notice that a "diamond-encrusted pansy brooch" had been "lost" at 62 West Ninth. Hmmm, a missing pansy brooch! Hint hint.
• • On 14 August 2011, to celebrate Mae's birthday, a walking tour will start at Paul & Joe's former location [a restaurant now called The Lion].
• • • • • • • • • • • • • • • • • • • •
• • Annual Mae West Tribute 2011 • •
• • "Mae West in Bohemia — — Gin, Sin, Censorship, and Eugene O'Neill"
• • Mae West's birthday is August 17th. An upcoming Mae West event that is open to the public will be held on Sunday afternoon, 14 August 2011. The title of this illustrated historical theme walk is "Mae West in Bohemia — — Gin, Sin, Censorship, and Eugene O'Neill." Rare vintage illustrations will show you how the buildings and blocks looked as these two theatre people saw them.
• • Sites will include the Village speakeasies where Eugene O'Neill [1888 — 1953] drank himself into oblivion and met the characters he would put in his plays, and where Mae socialized and bent elbows with Texas Guinan, Walter Winchell, Jack Dempsey, and Barney Gallant; significant theatres; the courthouse where Eugene and Mae battled against censorship; and off-beat addresses that made an impact on the career of these playwrights. Get ready to walk on the wild side.
• • Raffle prizes! Each Mae West walking tour ends with a raffle of Mae-themed prizes. Sponsors may inquire about suitable product placements for August 14th.
• • When: Sunday, 14 August 2011 — — rain or shine
• • Where: This Illustrated Walking Tour begins promptly at 3:00 PM at 62 West Ninth Street, where a gay cabaret once stood that inspired Mae West to write "The Drag" (and hire their drag queens for the cast). This tour focuses on 18 sites around Washington Square and ends at the Eugene O'Neill and Al Hirschfeld exhibition. Time: 90 — 120 minutes.
• • Cost: $10 per person
• • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml

Courting Mae West
Mae West
• • Photo: Mae West • • Paul & Joe's in 1926 • •
NYC
Mae West.

Alan Brooks and Mae West

"Pleasure Man" written by MAE WEST had its opening night on 1 October 1928 padlocked by the police. Alan Brooks who portrayed Rodney Terrill died at the end of September — — on 29 September 1936 — — in Saranac Lake, NY, at age 48. Did the stressful 1930s obscenity trial contribute to his early demise?
• • Actor Alan Brooks, who played the title role, swore on the witness stand that he was astonished to discover that his character in "Pleasure Man" had died from being castrated. The debonair 42-year-old leading man testified in smart-looking spats and a gorgeous suit.
• • In January 1917, the performer also had to sue The Palace over a salary dispute. The court ruled in his favor and the determined vaudevillian walked away with his weekly wages of $665.
• • Born as Irving Hayward on 25 January 1888 in New York City, Alan Brooks was active on The Gay White Way from 1909 — 1932. During that interval, Brooks was cast opposite Lionel Barrymore in "The Piker" [1925] and helmed his own Broadway trifecta when he wrote, directed, and starred in the comedy "Merchants of Venus" [1920].
• • The life of an actor has never been an easy one whether onstage or during the drama of the witness stand.
• • The legal battles fought by Mae West and Alan Brooks are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml

Courting Mae West
Mae West
• • Photo: Mae West trial with Alan Brooks and Texas Guinan during a break • • 1930 • •
NYC
Mae West.

Mae West: Raid at the Biltmore

When it premiered at the Biltmore on 1 October 1928, MAE WEST's gay play "Pleasure Man" had a $200,000 box office advance. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the Biltmore Theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore on 1 October 1928 is dramatized via a backstage visit to Mae's dressing room at the Royale Theatre, as the actress prepares to go onstage as the diamond-draped Bowery queen and consort of mobster Gus Jordan.
• • "Courting Mae West" is seeking a co-producer and backers for a for-profit production.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" — — excerpt from ACT II, Scene 1 • •
• • • MAE WEST
That you, Jim?
• • • TEXAS GUINAN (TEXAS, age 44, enters MAE’s room clad in furs and diamonds)
The “butter and egg man” sent me, angel-pie.
• • • MAE WEST
The speakeasy hostess film-star herself! Still shooting in Flatbush? How’s it rolling, Texas?
• • • TEXAS GUINAN
It’s top-hat heavy. There’s a comical danse macabre with a District Attorney and a Judge.
• • • MAE WEST
Legal beagles! Don’t spoil my mood. Backers shouldn’t come backstage. It’s unlucky.
• • • TEXAS GUINAN
Pat from Variety visited the set of Queen of the Night Clubs. I steered her to your show tonight.
• • • MAE WEST
Oy! Variety’s always given me a black eye in print. They get my knickers in a knot.
• • • TEXAS GUINAN
This chick is a FAN. Pat admires the up-from-nothing Fellatio Alger characters in your plays.
• • • MAE WEST
My stomach’s full of “opening night” butterflies. Got enough congrats to wallpaper with.
(MAE shows TEXAS telegrams that arrived via Western Union)
• • • TEXAS GUINAN (TEXAS examines the telegrams)
• • • MAE WEST (MAE puts on stage jewelry for her role as the star of Diamond Lil)
Bet it warms Pat’s heart — to sit with you, basking in the glow of your investment-grade jewelry.
• • • TEXAS GUINAN
We would’ve had yuks. (pause) But you’ll be busy tonight — a little grape told me as it whined.
• • • MAE WEST
The Bowery Queen here is about to go on! Diamonds is my career…. NIX the BAD NEWS!
• • • TEXAS GUINAN
You need to know! Before he left for D.C., our Mayor gave his okay for a raid — at the Biltmore.
• • • MAE WEST (MAE is outraged and jumps out of her seat)
WHAT! It’s our opening night at the Biltmore! Tex, who told you there’ll be a raid tonight?
• • • TEXAS GUINAN
Walter Winchell doesn’t call me the gatekeeper of gossip for nothing.
• • • MAE WEST
Pleasure Man has a $200,000 advance. Who wants to sink my ship on its maiden voyage?
• • • TEXAS GUINAN
It’s pressure from the Prevention of Vice cranks. They’d convict the 12 apostles, if they could.
• • • MAE WEST
Convict! Stop with the unlucky words. My mother suffered when they jailed me last year.
• • • TEXAS GUINAN
I’ve learned to see the sunny side. Prison is one place where my diamonds seem safe.
• • • MAE WEST
Sunny! My trial ate my bankbook. I wanted to buy my parents a house. Now another raid!
• • • TEXAS GUINAN
Scandal is a career move. This time play the damsel in distress on the witness stand.
• • • MAE WEST
Mae West doesn’t do PATHETIC. (pause) Tex, what can be done to trouble-shoot this?
• • • TEXAS GUINAN
Honey-child, the problem with trouble-shooting is that, invariably, trouble shoots back.
• • • MAE WEST
Aww! My butterflies just went into battle formation. Diamond Lil goes on in thirty minutes.
• • • TEXAS GUINAN
Relax. You’ll get fried on the front page and it’ll boost your box office higher than a zeppelin.
• • • MAE WEST
Our Biltmore premier was sold out. An injunction can keep the show on — maybe. (MAE exits, bad posture revealing her agony from stomach cramps)
• • • TEXAS GUINAN
Never met a chick who was hurt by a headline. Give the little girl a nice big (pause) handcuff. (TEXAS exits with great style)
• • • • • • [LIGHTS: dim lights in MAE’s dressing room, Royale Theatre]
— — Excerpt: — —
• • • © "Courting Mae West: Sex, Censorship, and Secrets" by LindaAnn Loschiavo
• • • This play is protected under U.S. copyright law.
• • • NO permission is being given to duplicate this text anywhere else. Thank you.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
___________
Source:http://courtingmaewest.blogspot.com/atom.xml

Courting Mae West
Mae West
• • Photo: Mae West • • the raid at the Biltmore • •
NYC
Mae West.

Mae West & Texas Guinan Tour

The famous speakeasy hostess Texas Guinan backed Broadway shows including "Diamond Lil" starring MAE WEST. As New Yorkers prepare for the "Gaudy Girls on The Great White Way" walking tour on August 16th, here's a small section from the opening of ACT II of "Courting Mae West," a play based on true events during the Prohibition Era.
• • Mae West's gay play "Pleasure Man" had a $200,000 box office advance when it premiered at the Biltmore on 1 October 1928. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the Biltmore Theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore on 1 October 1928 is dramatized via a backstage visit to Mae's dressing room at the Royale Theatre, as the actress prepares to go onstage as the diamond-draped Bowery queen and consort of mobster Gus Jordan.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" — — excerpt from ACT II, Scene 1 • •
• • • MAE WEST
That you, Jim?
• • • TEXAS GUINAN (TEXAS, age 44, enters MAE’s room clad in furs and diamonds)
The “butter and egg man” sent me, angel-pie.
• • • MAE WEST
The speakeasy hostess film-star herself! Still shooting in Flatbush? How’s it rolling, Texas?
• • • TEXAS GUINAN
It’s top-hat heavy. There’s a comical danse macabre with a District Attorney and a Judge.
• • • MAE WEST
Legal beagles! Don’t spoil my mood. Backers shouldn’t come backstage. It’s unlucky.
• • • TEXAS GUINAN
Pat from Variety visited the set of Queen of the Night Clubs. I steered her to your show tonight.
• • • MAE WEST
Oy! Variety’s always given me a black eye in print. They get my knickers in a knot.
• • • TEXAS GUINAN
This chick is a FAN. Pat admires the up-from-nothing Fellatio Alger characters in your plays.
• • • MAE WEST
My stomach’s full of “opening night” butterflies. Got enough congrats to wallpaper with.
(MAE shows TEXAS telegrams that arrived via Western Union)
• • • TEXAS GUINAN (TEXAS examines the telegrams)
• • • MAE WEST (MAE puts on stage jewelry for her role as the star of Diamond Lil)
Bet it warms Pat’s heart — to sit with you, basking in the glow of your investment-grade jewelry.
• • • TEXAS GUINAN
We would’ve had yuks. (pause) But you’ll be busy tonight — a little grape told me as it whined.
• • • MAE WEST
The Bowery Queen here is about to go on! Diamonds is my career…. NIX the BAD NEWS!
• • • TEXAS GUINAN
You need to know! Before he left for D.C., our Mayor gave his okay for a raid — at the Biltmore.
• • • MAE WEST (MAE is outraged and jumps out of her seat)
WHAT! It’s our opening night at the Biltmore! Tex, who told you there’ll be a raid tonight?
• • • TEXAS GUINAN
Walter Winchell doesn’t call me the gatekeeper of gossip for nothing.
• • • MAE WEST
Pleasure Man has a $200,000 advance. Who wants to sink my ship on its maiden voyage?
• • • TEXAS GUINAN
It’s pressure from the Prevention of Vice cranks. They’d convict the 12 apostles, if they could.
• • • MAE WEST
Convict! Stop with the unlucky words. My mother suffered when they jailed me last year.
• • • TEXAS GUINAN
I’ve learned to see the sunny side. Prison is one place where my diamonds seem safe.
• • • MAE WEST
Sunny! My trial ate my bankbook. I wanted to buy my parents a house. Now another raid!
• • • TEXAS GUINAN
Scandal is a career move. This time play the damsel in distress on the witness stand.
• • • MAE WEST
Mae West doesn’t do PATHETIC. (pause) Tex, what can be done to trouble-shoot this?
• • • TEXAS GUINAN
Honey-child, the problem with trouble-shooting is that, invariably, trouble shoots back.
• • • MAE WEST
Aww! My butterflies just went into battle formation. Diamond Lil goes on in thirty minutes.
• • • TEXAS GUINAN
Relax. You’ll get fried on the front page and it’ll boost your box office higher than a zeppelin.
• • • MAE WEST
Our Biltmore premier was sold out. An injunction can keep the show on — maybe. (MAE exits, bad posture revealing her agony from stomach cramps)
• • • TEXAS GUINAN
Never met a chick who was hurt by a headline. Give the little girl a nice big (pause) handcuff. (TEXAS exits with great style)
• • • • • • [LIGHTS: dim lights in MAE’s dressing room, Royale Theatre]
— — Excerpt: — —
• • • © "Courting Mae West: Sex, Censorship, and Secrets" by LindaAnn Loschiavo
• • • This play is protected under U.S. copyright law.
• • • NO permission is being given to duplicate this text anywhere else. Thank you.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read previous posts on this blog.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml

Courting Mae West
Mae West
• • Photo: Mae West portrayed by Yvonne Sayers, Texas Guinan portrayed by Eileen Glenn • • one of the trial scenes in Courting Mae West • •
NYC
Mae West.

Mae West: Lil Fulfilled

The summer air was feverish with applause during July 1928 when MAE WEST was riding a big box office wave at the Royale Theatre.
• • Though this Broadway showplace [located at 242 West 45th Street] had first hung out its shingle during January 1927, and has become known for long-running musicals, a non-musical was the theatre's first bonanza: Mae West’s "Diamond Lil," which wriggled in on 9 April 1928 and maintained its sunny side up for over 170 performances.
• • Time Magazine took its temperature [issue dated Monday, 23 April 1928].
• • Time's theatre critic, sparing no flair, admitted Lil had his heart at hello: "Diamond Lil" — — Propped up under the armpits by a dress that might have been designed by the stage carpenter, Mae West played the role that she had written about a bygone queen of Manhattan's underworld. Diamond Lil was a harlot whose heart was as big and golden as the enormous swan shaped bed that stood in her elaborate cubicle above Gus Jordan's saloon and brothel. None the less, she was hardboiled; when a Salvation Army captain came to save her soul, she planned to seduce him and when a lady threatened a double cross, Diamond Lil stabbed her in the tenderloin district. Despite her efforts, Gus Jordan, the Bowery boss, is caught eventually, for white slave trafficking. The Salvation Army captain, really a member of the police force, is his captor; Diamond Lil cuddles into his arms at the end saying, "Boy, I knew you could be had.''
• • Actress West plays her heroine with an eloquent and minatory calm, which contrasts well with the chryselephantine magnificence of her appearance. There are old-time tough songs, outmoded slang words ("moll," "dick," "corset"), and singing waiters, one of whom yodels, in the musty barroom, the same song with which he recently amused Manhattan cabaret patrons. "Diamond Lil" is an entertaining melodrama, concluded Time's man on the aisle.
• • You just don't hear critics uttering "minatory" these days, do you? Minatory — — means of a menacing or threatening nature
• • And how about that $25 phrase "the chryselephantine magnificence"? Chryselephantine — — (adjective) means made of, or overlaid with, gold and ivory, as certain objects made in ancient Greece.
• • The Royale Theatre on West 45th will be one of the tour stops on 16 August 2009.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read this blog and/ or post any questions.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml

Courting Mae West
Mae West
• • Photo: Mae West • • onstage in 1928 as Diamond Lil • •
NYC
Mae West.

Gaudy Girls on The Gay White Way

Join us for an a-MAE-zing afternoon focused on Mae West & Texas Guinan!
• • On 16 August 2009, come up and enjoy an a-MAE-zing experience — — a walking tour of historical sights in the Times Square area. This year the Annual Mae West Birthday Tour also commemorates speakeasy hostess Texas Guinan, the generous friend who backed all of Mae’s Broadway shows during the 1920s.
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Attire: why not wear a Mae West-inspired hat?
• • Info: T. 212-614-9683 — — or post your RSVP or tour question here
• • Online: MaeWest.blogspot.com — — TexasGuinan.blogspot.com
• • Who: Playwright LindaAnn Loschiavo makes the tour educational and entertaining.
• • LindaAnn Loschiavo's history play "Courting Mae West" was onstage in July 2008 at the Fresh Fruit Festival. She is working on a biographical travel guide "Mae West's New York, 1899—1959" and will show some of her unusual theatre memorabilia and vintage photos during the tour and reveal secret addresses tied to Mae West that have not been disclosed before. These rare pictures show the area as it looked during the 1920s when Mae West and Texas Guinan had their name on several marquees.
• • Surprises: Prizes and other nice things are part of the fun
• • Members of the press may attend on August 16th as our guest. RSVP required.
• • • • Mae West Walking Tours You Might Have Enjoyed • • • •
• • 2006 TOUR: Our regular Mae-mavens will recall seeing the historical exhibition "Onstage Outlaws: Mae West and Texas Guinan in a Lawless Era,” which opened to the public after a Gala Roaring-20s theme Press Preview on Mae’s birthday 17 August 2006. And on Sunday afternoon 20 August 2006, more than two dozen beautiful people gathered on West Ninth Street to enjoy a special treat — — "Washington Square Women: Mae West and Texas Guinan in Greenwich Village" — — followed by a Jazz Era brunch served with champagne and the Cos-MAE-Politan cocktail, garnished with two strategically placed plump raspberries.
• • 2007 TOUR: On Friday evening 17 August 2007, a fascinating guided adventure — — "The Mae West Side Story" — — escorted numerous intrepid walk-abouts to three of Mae's former residences along with other sites linked to the Brooklyn bombshell.
• • 2008 TOUR: On Sunday afternoon 17 August 2008, the captivating Diamond Divas led a group of over two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career, gay themes, courtroom woes, and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon. The 2008 walking tour — — "Mae West's Walk on the Wild Side" — — celebrated the 115th birthday of the Empress of Sex with an extravagant musical program, performed live by Met Opera soprano Marlena de la Mora and Sharon Weinman, which included these numbers: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Tour photos can be seen on the Mae West Blog.
• • For more details, do read this blog and/ or post your email. [Your info will not be posted nor available so that miscreants and rascals can access it.]
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Courting Mae West
Mae West
• • Photo: Mae West's pal • • Texas in Times Square with police 1927 • •
NYC
Mae West.

Mae West: "Leading Ladies"

Beginning on Mondays at 8 PM, TCM will offer a 50-film tribute to Hollywood's leading ladies — — including MAE WEST — — that's meant to promote their new publication.
• • The final scene of the play "Courting Mae West" features Mae West in Hollywood in December 1932, where she is filming the screenplay that was based on her hit Broadway play.
• • TCM has also produced a book "Leading Ladies" to commemorate the fifty most compelling actresses of the studio era. Here's their selection on the Brooklyn bombshell herself, penned by TCM's Frank Miller.
• • "Men's all alike — — married or single — — I happen to be smart enough to play it their way." — — Mae West in She Done Him Wrong
• • Frank Miller writes: Mae West played at sex like a man. She used her partners for pleasure and, with most of them, discarded them as soon as she got bored. Though there was usually one leading man who was given exclusive rights to her by the film's conclusion, she was the one doing the giving, with the veiled suggestion that she could always withdraw her approval if things didn't work out. More than any innuendo, more than the tightly corseted gowns she generously overflowed, this was what excited the censors' ire. Not only did she treat sex as an act of pleasure without any undue consequences, but also her attitude exposed the unwritten code by which many men operated, even after they were married. Little wonder she was often credited as the woman who brought stricter censorship to Hollywood. She wasn't — — but as Pauline Kael once said, if she was, the delights she offered on screen more than made for the later depredations of censorship.
• • In the early 1930s, the major Hollywood studios gave lip service to the Production Code, a set of rules for what could and could not be done on screen enforced by Will Hays of the Motion Picture Producers and Distributors of America (MPPDA). Originally, Paramount Pictures was very good about following the Code. They hadn't done much to follow the trend toward gangster films spearheaded by Little Caesar in 1931. But by 1932 the studio was running $21 million in the hole. By that time, there was a new genre challenging the censors, the sex film (also called "women's pictures"), which dealt with women who stray from the straight and narrow and pay for it tearfully by the film's end. Paramount had flirted with the genre with its early Marlene Dietrich films like Morocco (1930) and Blonde Venus (1932), but they mostly let the other studios blaze new sexual trails and reap the box office rewards, at least until Mae West showed up.
• • Mae West had been developing her act since the early days of the 20th century, when she sang bawdy songs in vaudeville, creating a delivery copied from the female impersonators of the day and night-club queen Texas Guinan. She'd scored some huge hits on Broadway, particularly with the controversial Diamond Lil, in which she played a saloon singer on The Bowery in the 1890s who sets out to seduce a Salvation Army officer. Universal Pictures had proposed bringing the play to the screen in 1930, when she toured it to Los Angeles. Hays issued a firm edict, however. The play was off limits, and when Universal suggested hiring West to write something new for them, he talked them out of it. Meanwhile, West fell on hard times when her follow-up play, The Constant Sinner, closed after only eight weeks. The 39-year-old sex star began to wonder if she wasn't over the hill.
• • Then old friend George Raft came to the rescue. There was a juicy part for an older woman playing his ex-girlfriend in Night After Night (1932) at Paramount. The studio wanted to cast Texas Guinan, but he talked them into giving West a chance. She almost turned the role down when she saw how poorly it was written. Instead, however, she got producer Harry Le Baron, another old friend, to agree to let her re-write her lines. Loading the script with comic innuendo, she, in Raft's words, "stole everything but the cameras." Exhibitors were clamoring for another film with Mae West, and Paramount decided to take a chance on bucking the censors.
• • When the studio approached her about making another film, she considered her options, then insisted on adapting Diamond Lil. Rather than buck Will Hays outright, they suggested changing the title and enough details to make it seem like a new story. But when Hays found out, he tried to shut the film down. Studio head Adolph Zukor made his case to Hays' New York board of directors, and won the concession that they could redo the script with a new title and new character names (Diamond Lil became Lady Lou). Other demands made by the Hays Office included making the leading man (Cary Grant) a mission worker with no specific affiliation to the Salvation Army and cutting overt references to prostitution. They also changed the nationality of West's female nemesis from Brazilian to Russian, since there was little market for U.S. films in the Soviet Union.
• • In some ways, Hays' demands actually improved the film. Screenwriter John Bright, who had scored a hit with The Public Enemy (1931), was assigned to collaborate on the screenplay, but he didn't click with West, and her script didn't impress him either. He thought it was a creaky old melodrama filled with cheap jokes and tried to make it more of a straight crime film. West hated his ideas, but had a battle getting the studio to side with her. Then one of Hays' associates suggested that the film might be more palatable if played for comedy. That was the excuse she needed to cut Bright's additions and return many of her laugh lines (eventually she had him replaced by Harvey Thew). When Hays suggested toning down references to Lou's past affairs, West added a maid character (played by Louise Beavers) who knew of her past so the two could discuss it in a series of veiled references.
• • Those references -- and West's ability to make even the most innocent lines sound risque - made the film a hit and made her one of the world's most quoted writers. Early in the film she describes herself as "one of the finest women ever walked the streets." When a young woman complains about losing her virtue, West quips, "When women go wrong, men go after them." One of the play's most controversial lines was part of her come on to the Salvation Army officer, "You can be had," which West repeated at the end when the two hooked up. Hays thought it was too raw, so West replaced the line's second appearance with a comic exchange. Grant chastises her with "You bad girl," to which she coyly replies, "You'll find out." Another line, however, only sounded racy in West's patented delivery — — the line where she tells Grant, "Why don't you come up some time, see me?"
• • She Done Him Wrong was a huge hit. Made for just $200,000, half of which went to West for writing and starring, it returned $2 million domestically on its initial release and another $1 million in international markets. That wasn't enough to pull Paramount out of the hole, but it raised studio morale and their image enough to help them edge back toward profitability. The film made West a household name and boosted the career of co-star Cary Grant, who was just starting in films. He would later claim that he learned most of what he knew about playing comedy from watching West at work.
• • She Done Him Wrong also changed fashions, bringing back the hourglass figure, and encouraged a run of films set in the 1890s. But there was also the inevitable backlash. West's suggestive song "I Like a Man That Takes his Time" was so heavily cut by censors that Paramount called back all release prints to cut the middle stanzas. Other lines were cut by local censors, and the film was banned outright in Java, Latvia, Australia, and Vienna. It also triggered renewed cries for national film censorship that led to the strengthening of the Production Code in 1934. That, in turn, would create even more battles for West and the censors, though they could do nothing to diminish the sexual independence of her characters. Even in the more liberated era of the '70s, West amazed audiences with her sexual forthrightness when she returned to filmmaking after decades off-screen for a small role as a predatory agent in Myra Breckinridge (1970).
• • • • • • • • • • • • • • • •
• • She Done Him Wrong
• • Producer: William LeBaron
• • Director: Lowell Sherman
• • Screenplay: Mae West, Harvey Thew, John Bright
• • Based on the play Diamond Lil — — by Mae West
• • Cinematography: Charles Lang
• • Art Direction: Robert Usher
• • Music: Ralph Rainger
• • Principal Cast: Mae West (Lady Lou), Cary Grant (Capt. Cummings), Owen Moore (Chick Clark), Gilbert Roland (Serge Stanieff), Noah Beery, Sr. (Gus Jordan), Rafaela Ottiano (Russian Rita), Rochelle Hudson (Sally Glynn), Fuzzy Knight (Ragtime Kelly), Louise Beavers (Pearl).
BW — 65m. Closed captioning.
— — Source: — —
• • Byline: by Frank Miller
• • TCM — — www.tcm.com
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Courting Mae West
Mae West
• • Photo: Mae West • • 1932 • •
NYC
Mae West.

Coming Up Mae

MAE WEST was born in New York City 115 years ago on 17 August 1893.
• • To celebrate the occasion in style, the Diamond Divas led a group of two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon.
• • "Mae West's Walk on the Wild Side" tour visited the former residence of Judge Amadeo Bertini, who presided over Mae's Pleasure Man trial in 1930; the first speakeasy fined for violating the Volstead Act; infamous drag cabarets along West Third Street; and the building where Washington Square College coeds elected Mae West as their "prom girl" in 1927.
• • The August 17th outdoor event received the weatherman's blessing. Ideal conditions prevailed and the lively group found it quite pleasant to linger and enjoy the musical interludes.
• • The musical program, sung by soprano Marlena de la Mora and Sharon Weinman, included: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Joining the tour group yesterday was the cast of "Courting Mae West" — — Yvonne Sayers, Neal Sims, Gloria Buccino, Mary Murphy, and Steven Viola.
• • This outdoor event — — which is part of the Annual Mae West Birthday Gala — — is scheduled every August in Manhattan and open to the public.
• • For info on Theatre District Tours: Seesaw864@juno.com
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Courting Mae West
Mae West
• • Photo: Mae West tour • • Sunday 17 August 2008 • •
NYC
Mae West.

Act II, Scene 1 - the raid at the Biltmore

MAE WEST's gay play "Pleasure Man" had a $200,000 box office advance when it premiered at the Biltmore on 1 October 1928. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore is dramatized in the play "Courting Mae West," which will have its final performance on Tuesday 22 July 2008 at the Algonquin Theatre [123 East 24th Street] in Manhattan.
• • The Algonquin's manager Mark Sportiello, who attended two performances, has become a big fan of both the play and the talented cast. "Courting Mae West is what great theatre is supposed to be!" said Sportiello, whose brother Tony is an award-winning playwright.
• • In "Courting Mae West," Texas Guinan [portrayed by Eileen Glenn] visits Mae West [portrayed by Yvonne Sayers] backstage at the Royale Theatre to warn her about the raid.
• • MAE WEST: Tex, isn't there a way to trouble-shoot this?
• • TEXAS GUINAN: Honey child, the problem with trouble-shooting is that, invariably, trouble shoots back!
• • In addition to battling a hex by legal voodoo, Mae West was in enormous physical pain during 1928.
• • The usually healthy, resilient, durable actress had begun to experience fierce abdominal agony, perhaps from stress. When the infamous raid at the Biltmore Theatre occurred, New York's bulldog of a district attorney was threatening her with another jail term.
• • Seized by the talons of legal eagles, Mae was rescued (somewhat) and got a jolt of good news from her savvy attorney Nathan Burkan. Burkan had convinced a judge to allow Mae to continue touring in "Diamond Lil."
• • Adding more relief to Mae's life was the fact that the Shuberts had just bought out Mark Linder, who had staked a claim on "Diamond Lil" because he suggested the locale.
• • Info and showtimes are here — — and we invite you to come up and see Mae.
• • "COURTING MAE WEST" opens at 6 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• • "COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 6:00 PM
• • July 20th, 2008 — — 2:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to "COURTING MAE WEST" are $18 per adult.
• • Theatermania.com sells the tickets — — http://www.theatermania.com/content/show.cfm/show/144297
• • Phone 212-352-3101 and get a ticket.
• • The play is 95 minutes.
• • Get ready to come up and see Mae West, Texas Guinan, and the gang onstage in mid-July 2008.
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Courting Mae West
Mae West
• • Photo: Mae West cast • • Yvonne Sayers and Eileen Glenn • •
NYC
Mae West.

Eileen Glenn is cast as Texas Guinan

MAE WEST had a good friend (and a bankroll for her shows) in Texas Guinan. In "Courting Mae West," Eileen Glenn will portray "The Queen of the Night Clubs" herself.
• • Born in New Jersey, Eileen Glenn was raised in East Tennessee. A trailblazer since childhood, she produced her first show, Cinderella, on her front porch while still in grammar school. She discovered her passion for Prokofiev’s "Peter & The Wolf" and Herb Albert's Tijuana Brass; soundtracks of "The Sound of Music," "Jesus Christ Superstar," and "Godspell" became bliss-driven engines that transported her soul straight to Broadway.
• • Ms Glenn graduated from the University of Tennessee with a BA in theatre. Three years later she discovered improvisational theatre and — — over the course of 4 days — — she flew to Chicago to audition for The Second City, returned home, packed her bags, and set up digs at The Hotel Lincoln (former home of John Belushi and Dan Aykroyd).
• • Ms Glenn’s post-graduate instruction was working. She performed in everything: musicals, improv reviews, Shakespeare, Chekov, Greater Tuna, Caligula, The Mikado. Her experience in Chicago culminated with a summer trip to the Royal Academy of Dramatic Arts. Upon returning, she produced and starred in her one-person show, Margaret Atwood’s Good Bones and Simple Murders — — which earned rave reviews and has since been produced in New York City, Texas, and Arkansas.
• • Ms Glenn has performed regionally at Mill Mountain Theatre, VA; Arkansas Repertory; Shadowlawn Theater, NJ; and several seasons with Texas Shakespeare Festival. In New York she was a company member with Jean Cocteau Repertory and Lightning Strikes Theatre Company. She performs frequently with The Phoenix Theatre Ensemble and has appeared on many occasions with Judith Shakespeare Company and Actors Stock Company.
• • Inspired at an early age by the likes of Annie Oakley, The Unsinkable Molly Brown, and Amelia Earhart, and strong independent women everywhere, not to mention her mother, she is not surprised her journey has led her here. It seems Ms Glenn was almost destined to play an independent, gun toting, cowgirl with a heart of gold, living life by her rules and running her own empire.
• • In the immortal words of Texas Guinan, "I would rather have a square inch of New York than all the rest of the world.”
• • "COURTING MAE WEST" opens at 6 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• • "COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 6:00 PM
• • July 20th, 2008 — — 2:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to COURTING MAE WEST are $18 per adult.
• • Theatermania.com sells the tickets — — http://www.theatermania.com/content/show.cfm/show/144297
• • Questions? Phone 212-779-3051.
• • The play is 95 minutes.
• • Get ready to come up and see Mae West and Texas Guinan and the gang onstage in mid-July 2008.
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Courting Mae West
Mae West
• • Photo: Texas Guinan • • Eileen Glenn • •
NYC
Mae West.