Mae West: Sex on 26 April 1926
Written by "Jane Mast" and starring MAE WEST as Margy LaMont, "Sex" opened in April — — on 26 April 1926. The Broadway debut occurred a few blocks north of Columbus Circle at Daly’s 63rd Street Theatre, the only playhouse available at the time. Today is the 85th anniversary of Mae's achievement. Writing and staging "Sex" would change her life.
• • Two days later (on 28 April 1926) Variety took an early stand against the play: “Mae West … has broken the fetters and does as she pleases here. After three hours of this play’s nasty, infantile, amateurish, and vicious dialog, after watching its various actors do their stuff badly, one really has a feeling of gratefulness for any repression that may have toned down her vaudeville songs in the past. If this show could do one week of good business it would depart with a handsome profit, it’s that cheaply put on.”
• • Phooey on you, Variety. Unstoppable "Sex" not only sold out its premiere but it also offered 385 performances with general admission tickets sold for $3.50. According to Mae West, orchestra seats were $10.
• • "Papa" Charlie Jackson [c.1885 — 1938] was an early African-American blues man and songster and it's believed he was born in New Orleans. It is generally accepted that Jackson died in Chicago, Illinois in 1938 at age 53. Jackson appeared in minstrel shows with a hybrid instrument: a cross between a guitar banjo and a ukulele. Though numerous details of his life as a performer remain unclear, it's known that his recording career began in 1924 when he was signed to the Paramount label. When he recorded "Papa's Lawdy Lawdy Blues" and "Airy Man Blues," these hits registered as the first commercially successful and self-accompanied recordings by a male singer of the blues. The track "Salty Dog Blues" turned out to be his most famous song. Shortly after, Jackson would cut records with Hattie McDaniel, Ma Rainey, and Ida Cox — — a vocalist billed as the "sepia Mae West."
• • "Shake That Thing" [1925] • •
• • In 1925, with lyricist C. Johnson, Charlie Jackson composed "Shake That Thing," a 3 minute song published by Shapiro, Bernstein & Co., Inc., 488 Madison Avenue, New York, NY 10022. Accompanied by the group Smithsonian Blues, Papa Charlie Jackson recorded this himself — — a sultry blues number that Mae heard and introduced to her Broadway audience in her 1926 show, while backed by a jazz band. She also selected the cool blues song "My Sweet Man" (and other pieces by talented black composers such as W.C. Handy) to feature in "Sex." The police officials who came to spy and take notes were especially interested in her bare midriff as she shimmied. The exotic movements of Mae's bellybutton were preserved in the trial transcripts in 1927.
• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The police raid in February 1927 is dramatized in Act I of the stage play COURTING MAE WEST. This is one panel from the COURTING MAE WEST comic book written and designed by playwright LindaAnn Loschiavo and delightfully illustrated and hand-colored by artist Michael DiMotta. Do not copy this panel nor reuse it without permission. Be nice.
• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml
Courting Mae West
Mae West
• • Photo: Mae West • • on Broadway as Margy LaMont • •
NYC
Mae West.
• • Two days later (on 28 April 1926) Variety took an early stand against the play: “Mae West … has broken the fetters and does as she pleases here. After three hours of this play’s nasty, infantile, amateurish, and vicious dialog, after watching its various actors do their stuff badly, one really has a feeling of gratefulness for any repression that may have toned down her vaudeville songs in the past. If this show could do one week of good business it would depart with a handsome profit, it’s that cheaply put on.”
• • Phooey on you, Variety. Unstoppable "Sex" not only sold out its premiere but it also offered 385 performances with general admission tickets sold for $3.50. According to Mae West, orchestra seats were $10.
• • "Papa" Charlie Jackson [c.1885 — 1938] was an early African-American blues man and songster and it's believed he was born in New Orleans. It is generally accepted that Jackson died in Chicago, Illinois in 1938 at age 53. Jackson appeared in minstrel shows with a hybrid instrument: a cross between a guitar banjo and a ukulele. Though numerous details of his life as a performer remain unclear, it's known that his recording career began in 1924 when he was signed to the Paramount label. When he recorded "Papa's Lawdy Lawdy Blues" and "Airy Man Blues," these hits registered as the first commercially successful and self-accompanied recordings by a male singer of the blues. The track "Salty Dog Blues" turned out to be his most famous song. Shortly after, Jackson would cut records with Hattie McDaniel, Ma Rainey, and Ida Cox — — a vocalist billed as the "sepia Mae West."
• • "Shake That Thing" [1925] • •
• • In 1925, with lyricist C. Johnson, Charlie Jackson composed "Shake That Thing," a 3 minute song published by Shapiro, Bernstein & Co., Inc., 488 Madison Avenue, New York, NY 10022. Accompanied by the group Smithsonian Blues, Papa Charlie Jackson recorded this himself — — a sultry blues number that Mae heard and introduced to her Broadway audience in her 1926 show, while backed by a jazz band. She also selected the cool blues song "My Sweet Man" (and other pieces by talented black composers such as W.C. Handy) to feature in "Sex." The police officials who came to spy and take notes were especially interested in her bare midriff as she shimmied. The exotic movements of Mae's bellybutton were preserved in the trial transcripts in 1927.
• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The police raid in February 1927 is dramatized in Act I of the stage play COURTING MAE WEST. This is one panel from the COURTING MAE WEST comic book written and designed by playwright LindaAnn Loschiavo and delightfully illustrated and hand-colored by artist Michael DiMotta. Do not copy this panel nor reuse it without permission. Be nice.
• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era. Watch a scene on YouTube.
___________
Source:http://courtingmaewest.blogspot.com/atom.xml
Courting Mae West
Mae West
• • Photo: Mae West • • on Broadway as Margy LaMont • •
NYC
Mae West.
Labels: 1926, Broadway, Courting Mae West, LindaAnn Loschiavo, Mae West, Sex
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