Courting Mae West

The play "COURTING MAE WEST: Sex, Censorship & Secrets" is based on true events during the 1920s when actress MAE WEST was arrested and jailed in New York City for trying to stage two gay plays on Broadway. Maybe she broke the law - - but the LAW couldn't break HER!

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Monday, July 02, 2012

Mae West In Love: Event

It was August 1913 when MAE WEST was nearing her 20th birthday.
• • On Monday, 4 August 1913 Mae West opened for Evelyn Nesbit, who gave ballroom dancing lessons to an adoring audience at Hammerstein's Victoria on 42nd Street. Overshadowed by the notorious Nesbit, Mae's good work was unappreciated that evening.
• • But Mae would soon encounter an Italian gentleman who immediately appreciated her beauty, sex appeal, and talent, who swept her off her feet, and who suggested they tour together.  Her passionate relationship with Guido Deiro [1886 — 1950] affected Mae so thoroughly, she was afraid to tell her parents.  When she wrote her memoir in 1959, she avoided mentioning his name.
• • "Mae West's Secret Italian Husband" • •
• • When they met in Detroit in August 1913, the 26-year-old was a vaudeville headliner, an accordionist and a composer who recorded for the Columbia label, a star who often earned $600 a week.  Mae was a hopeful 19-year-old, a singing comedienne, who opened for larger acts.  They fell in love, married, and developed a vaudeville routine together. 
• • On Thursday, 16 August 2012 you will learn the untold story of Guido Deiro, born in Salto Canavese, Italy, and Mae West, born in Brooklyn, NY, who became his second wife and, eventually, a star on Broadway and in Hollywood motion pictures.  Come and hear the music Guido Deiro composed for the Broadway show "Kismet" and some of the other pieces that delighted Mae and his vaudeville audience.  Clips of Guido Deiro performing in 1928 on the piano-accordion will also be shown.
• • The speaker on August 16th is LindaAnn Loschiavo, a dramatist, journalist, and long-time columnist for L'IDEA Magazine.  LindaAnn Loschiavo's stage play "Courting Mae West" was recently seen in Melbourne, Australia in January 2012.  Her writing appears in "Anti-Italianism: Essays on a Prejudice" (NY: Macmillan, 2011), in her column for L'IDEA Magazine, and elsewhere.  Her new book "Flirting with the Fire Gods: Writing with an Italian Accent" will be out soon. 
• • This musical event concludes with an exciting raffle and light refreshments to celebrate the birthday of Mae West (17 August 1893). 
• • • • WHEN: 6:30 pm on Thursday, 16 August 2012
• • • • WHERE: Italian American Museum: 155 Mulberry Street (at Grand St.), New York, NY 10013
• • • • Suggested donation of $10 per person helps support the museum
• • • • RSVP:  T. (212) 965-9000
• • • • Subway: B or D to Grand Street station; N, Q, J, Z to Canal Street station
• • • • Website: http://MaeWest.blogspot.com
• • • • • • • • • • • • • • • • • • • • • •

• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era.
Watch a scene on YouTube.
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• • Photo: Mae West
• • 1913 • •
Mae West.

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Saturday, August 30, 2008

Gus Jordan and Diamond Lil

Since MAE WEST had her eye on Tammany Hall perhaps for the entire time she lived in New York, she could spot a fixer.
• • "Big" Tim Sullivan [23 July 1862 — 31 August 1913] was a fixer extraordinaire and a born ward-heeler. This New York politician who controlled Manhattan's Bowery and Lower East Side districts as a prominent figure within Tammany Hall was the model for Mae's character Gus Jordan in "Diamond Lil."
• • Similarly, in "She Done Him Wrong" [1933] the bejewe
led chanteuse and brash entertainer Lady Lou (Mae West) works in the 1890s Bowery saloon of her boss and benefactor Gus Jordan (Noah Beery, Sr.), who has given her many diamonds.
• • Unbeknownst to Lady Lou, slick and sleazy Gus Jordan trafficks in white slavery (prostitution) and runs a counterfeiting ring (to help finance Lou's expensive rock collection). He also sends young women to San Francisco to be pickpockets. Gus works with two other crooked entertainer-assistants, Russian Rita (Rafaela Ottiano) and Rita's lover, the suave Serge Stanieff (Gilbert Roland).
• • Not as handsome as Beery and certainly far heavier, "Big" Tim Sullivan was born to poor Irish parents in the notorious Five Points neighborhood. Determined to be successful,
"Big" Tim Sullivan cultivated careers in business and politics. Over the course of 25 years beginning in 1886, Sullivan assembled a political machine that ruled the districts of lower Manhattan. A legitimate entrepreneur in the world of entertainment, Sullivan forged an effective brand of urban politics by fusing the traditional tactics of the machine with his influence in commercial leisure and organized crime.
• • Staging theatrical entertainments and athletic competitions, handing out food and clothing to constituents, and offering employment and social services to ordinary citizens won him many followers, but Sullivan's protection of key figures in the vice economy of the Lower East Side made him a rather controversial figure. Despite his frequent use of physical intimidation, "Big" Tim nonetheless worked to expand the franchise and give the disadvantaged a voice in municipal politics.
• • Both Mae West's character Gus Jordan and Tim Sullivan were active in a number of illegal activities including prostitution, white slavery, gambling, and extortion.
• • On 31 August 1913, "Big" Tim's body was found on the tracks in the Eastchester area of the Bronx, New York.
• • Sullivan's wake was held at his clubhouse — — located at 203 Bowery.
• • More than 25,000 people turned out for his funeral at St. Patrick's Old Cathedral, New York on Mott Street. Perhaps some "mourners" turned up solely to make sure this politico was dead.
• • Tim's clubhouse was down the block from the notorious Bowery "resort" near Houston Street, namely McGurk's Suicide Hall [295 Bowery]. The second chapter of "Diamond Lil" (a 256-page novelization of the play published by Macaulay in 1932) is Suicide Hall.
— — Source for some of this information: — —
• • Article: "Underworlds and Underdogs: Big Tim Sullivan and Metropolitan Politics in New York, 1889 — 1913"
• • Byline: Daniel Czitrom
• • Published in: The Journal of American History, vol. 78, no.2
• • Published on: September 1991
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• • Photo: Mae West
• • "Big" Tim Sullivan • • 1933 lobby card • •

Mae West.

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