Courting Mae West

The play "COURTING MAE WEST: Sex, Censorship & Secrets" is based on true events during the 1920s when actress MAE WEST was arrested and jailed in New York City for trying to stage two gay plays on Broadway. Maybe she broke the law - - but the LAW couldn't break HER!

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Friday, October 18, 2013

Was Mae West a Good Playwright?

People always ask me this: Was MAE WEST a good playwright? 
• • Mae West did work with collaborators but she had a strong sense of where she was going in a narrative.  There is very clever plotting, for example, in “Diamond Lil.”  
• • In 1928, the newspaper ads were calling her fictional character Diamond Lil “the good bad girl” and Mae structures the plot around opposites:  a street-smart bad girl, surrounded by criminals who could keep her in diamonds, furs, and fancy gowns, becomes fixated on a good-looking man who appears to be different, that is, clean living, decent, pious, and focused on morality and acts of charity instead of on material wealth.   
• • Diamond Lil imagines what it must be like to be good — — to be a decent woman and worthy of a paragon like that.
• • Then Mae supplies a whopper of an O’Henry type ending: his piety is a mask — — he’s really a detective ("The Hawk") who’s there to investigate her and her circle. Although they wind up together, he’s no saint — — only an ordinary cop whose job it is to make sure she loses all of her ill-gotten diamonds.  That is a masterful twist. 
• • Mae West shows her capability as a storyteller by knowing the first precept of a narrative: creating strong characters who want something. 
• • Her ending is crafty, too: Diamond Lil gets the man she wants but not in the way she expected to.

"Diamond Lil" has its own Q-R Code
• • See "Diamond Lil" This Autumn! • • 
"Darlene Violette channels Mae West to perfection!" — Stu Hamstra
• • By popular demand, actress Darlene Violette — — and the wonderful cast who brought the Bowery denizens and Suicide Hall’s ne’er-do-wells to life — — will return in “Diamond Lil” for several evening performances at Don’t Tell Mama [343 W. 46th Street] on these dates in 2013:
• • 7:30pm on Sunday October 27th — Hallowe'en Party — come in 1890s costume!
• • 7:00pm on Sunday November 3rd — vote for Gus Jordan for Sheriff Night.
• • 8:30pm on Sunday November 10th
• • 7:00pm on Sunday November 17th
• • 7:00pm on Sunday November 24th
• • Phone after 4pm to reserve a seat: 212-757-0788; RSVP online: www.donttellmamanyc.com
• • Closest MTA subway stations: 42nd St./ Times Sq. via A, C, E, 1, 2, 3 
• • The public is invited (suitable for age 18 and over). Join us as we turn the iconic NYC nightspot Don't Tell Mama into Gus Jordan's "Suicide Hall"! 
• • The Cast: Starring Darlene Violette as Diamond Lil, Queen of the Bowery and also featuring Sidney Myer, Anthony DiCarlo, Joanna Bonaro, Gary Napoli, Juan Sebastian Cortes, Kimmy Foskett, Jim Gallagher and live music by Brian McInnis
• • Director: Co-directed by Dena Tyler, The Actors Studio, and Darlene Violette.
• • Come up and see for yourself. You might even win a swell Raffle Prize.
• • Watch a short clip: Diamond Lil meets Pablo, a gigolo
• • Read a Review of "Diamond Lil" • •
• • L'Idea Magazine's editors attended four times and had a lot to say. Here's the link: http://www.lideamagazine.com/usa-still-entertaining-mae-wests-diamond-lil-makes-new-fans-in-new-york-city/
• • Staying faithful to the gritty themes in the novel, LindaAnn Loschiavo trimmed the work to 85 minutes for a cast of eight.
• • Audience Comments about "Diamond Lil" • •
• • Gigi Garcone said:  Just saw "Diamond Lil" — — a very entertaining production! This tribute to the sultry, irresistible diva Mae West is a must see! All the actors are very talented and you can see they put their hearts into their roles. I especially liked Darlene Violette as Mae West and Joanna Bonaro as Rita, a madam from Rio. Darlene encompassed the whole persona of Mae and Joanna was sublime as the madam — — she really has such a presence on stage. Very enjoyable performance and it's worth the trip!
• • Rick Baynes of Baltimore said: I second Gigi's comments. "Diamond Lil" brings the fabulous Mae West back to life. The wonderful Darlene Violette is spot-on in her portrayal of the lusty, bawdy Mae. Do yourself a favor and go see this lovely production.
• • Mrs. Jean McLoughlin of NYC said:   I recently saw "Diamond Lil" and loved every minute. The entire cast was top-notch, and I was impressed with their creative use of the entire space. The characters really came to life and I was transported back to the raunchy days of Mae West. Darlene Violette gave a great performance as Diamond Lil  — — but Joanna Bonaro really shone as the sultry, venomous Rita. Joanna commands attention and I was more than willing to give it. Fantastic show, I highly recommend that everyone see it! Even my husband, who does not like theater, really enjoyed it.

• • At Jefferson Market Library in NYC next month • • 
• • Mae West's legal woes inspired the stage play "Courting Mae West." See it on 23 November 2013 in the very same room where Mae faced off with Judge George Donnellan and 12 jurors. 
• • Darlene Violette stars as Mae West and the rest of the cast will soon be announced. 
• • The play, based on true events, is set during the Prohibition Era when Mae's plays were padlocked and she was sent to jail. Talk about a woman who climbed the ladder of success wrong by wrong.. 
• • This free event is open to the public and there is ample seating. [Note: The humor and adult themes are not suitable for children under 13.]
• • In Her Own Words • •
• • Mae West said: "I wrote the story myself. It's about a girl who lost her reputation and never missed it."
• • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era.
Watch a scene on YouTube.

___________
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• • Photo: Mae West
• • "Diamond Lil" restaged in 2013 • •
Mae West.

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Tuesday, October 01, 2013

Mae West: Next Month

The Mae West Blog wishes all our visitors a happy autumn — — and take a moment to note on your calendar that the next free MAE WEST events in New York City will occur in late November 2013 in Greenwich Village in New York, NY. Details will be posted shortly. 
• • If you are having any Mae West events, too, let us know.
• • Mae West Takes Centerstage in "The Sex Issue" • •
• • "Mae West: Sex, Censorship, Prison, and Politics" was the lead piece in the summer issue of The Dramatist. Editor-in-Chief Joey Stocks tapped DG member LindaAnn Loschiavo to write the cover story, emphasizing that he wanted the focus to be on the politics that created the legal tornado that sent the actress to prison, making headlines around the world.
• • "At a Publications Committee meeting last fall, Lynn Nottage suggested an article about the Mae West court trials," explained Mr. Stocks, pushing up his green eye-shade as the Broadway traffic noises below his office grew more raucous. "A week later, the newsletter from the National Coalition Against Censorship landed on my desk with the headline: 'The Sex Issue.' I went back to the committee and this issue was conceived. DG member and Mae West expert, LindaAnn Loschiavo agreed to write the article from which everything else would grow. Taking our cue from Mae, we've tried  to make this issue both playful and serious."
• • Who was Mae West in 1926? And why did City Hall make her a target? Ms. Loschiavo, who has read the trial transcripts and done exhaustive research on every aspect of Westiana, wrote the eye-opening article, which the editors turned into a glorious six-page spread. The native New Yorker is also the author of the stage play "Courting Mae West" based on true events during the Prohibition Era.
• • THE DRAMATIST (July 2013 issue) was published by The Dramatists Guild of America, 1501 Broadway [# 701], New York, NY 10036; T 212-398-9366. For a copy, send your inquiries here. This issue of the magazine, sent by mail to subscribers, will only be available to others for a limited time. 
• • THE DRAMATIST is also sold at The Drama Book Shop, 250 West 40th St., New York, NY; T (212) 944-0595.
• • The July 2013 issue is a must-have keepsake for all you Mae-mavens out there.
PHOTO: Wayne Takenaka

• • See "Diamond Lil" This Autumn! •
• • By popular demand, actress Darlene Violette — — and the wonderful cast who brought the Bowery denizens and Suicide Hall’s ne’er-do-wells to life — — will return in “Diamond Lil” for several evening performances at Don’t Tell Mama [343 W. 46th Street] on these dates:
• • 7:30pm on Sunday October 27th — Hallowe'en Party — come in 1890s costume!

• • 7:00pm on Sunday November 3rd — Gus Jordan for Sheriff — Pre-Election Mayhem.
• • 8:30pm on Sunday November 10th
• • 7:00pm on Sunday November 17th
• • 7:00pm on Sunday November 24th
• • Reserve seats by phone: 212-757-0788; RSVP online: www.donttellmamanyc.com
• • Closest MTA subway stations: 42nd St./ Times Sq. via A, C, E, 1, 2, 3
• • The public is invited (suitable for age 18 and over). Join us as we turn the iconic NYC nightspot Don't Tell Mama into Gus Jordan's "Suicide Hall"!
• • The Cast: Starring Darlene Violette as Diamond Lil, Queen of the Bowery and also featuring Sidney Myer, Anthony DiCarlo, Joanna Bonaro, Gary Napoli, Juan Sebastian Cortes, Kimmy Foskett, Jim Gallagher and live music by Brian McInnis
• • Come up and see for yourself.
• • Read a Review of "Diamond Lil" • •
• • L'Idea Magazine's editors attended four times and had a lot to say. Here's the link: http://www.lideamagazine.com/usa-still-entertaining-mae-wests-diamond-lil-makes-new-fans-in-new-york-city/
• • Staying faithful to the gritty themes in the novel, LindaAnn Loschiavo trimmed the work to 85 minutes for a cast of eight.
• • Meet Mae West at Jefferson Market Court! • •
• • In 1927 Mae West sat sulking in the Police Court (425 Sixth Avenue) after her arrest.
• • To commemorate her passing, on Friday, 22 November 2013 and again on Saturday, 23 November 2013, two special events will be held in the Willa Cather Reading Room — — i.e., the same judicial chamber where Mae and her cast faced off with the Special Sessions magistrate 86 years ago. Don't miss it.
• • In Her Own Words • •
• • Mae West said: "I'd rather be looked over than overlooked."
• • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era.
Watch a scene on YouTube.

___________
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• • Photo: Mae West
• • "Diamond Lil" restaged in 2013 • •
Mae West.

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Monday, August 19, 2013

Long Live Mae West

A week-long celebration of MAE WEST occurred in her hometown, New York City, to commemorate the 120th birthday of the Brooklyn bombshell.
• • The focus was on "Diamond Lil" by Mae West
in a new 85-minute adaptation for the stage by LindaAnn Loschiavo — and costumed in 1890s Bowery style
• • Cast: Starring Darlene Violette as Diamond Lil, Queen of the Bowery and also featuring Sidney Myer, Anthony DiCarlo, Joanna Bonaro, Gary Napoli, Juan Sebastian Cortes, Kimmy Foskett, Jim Gallagher and live music by Brian McInnis
• • Updates: http://Mae West.blogspot.com
• • In Her Own Words • •
• • Mae West said: "I always liked a man in uniform." 
• • Mae West said: "He's the kind of guy you'd have to marry to get rid of."
• • Mae West said: "All my life, I have been misunderstood."
• • • • • • • • • • • • • • • • • • • • • •
• • The legal battles fought by Mae West and Jim Timony are dramatized in the play "Courting Mae West: Sex, Censorship, and Secrets," set during the Prohibition Era.
Watch a scene on YouTube.
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• • Photo: Mae West
• • "Diamond Lil" restaged in 2013 • •
Mae West.

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Thursday, December 24, 2009

Mae West on Ice

MAE WEST and diamonds were almost synonymous even before the creation of her most memorable character: Diamond Lil. ''I hadn't started out to collect diamonds, '' she said, ''but somehow they piled up on me.'' The onstage Diamond Lil was a singer in a Bowery saloon of the 1890's — — a bad girl with a good heart, who murdered her girlfriend, wrecked a Salvation Army hall, and sang ''Frankie and Johnny,'' wrote The New York Times [on 23 November 1980].
• • Jewelry and Christmas go together as nicely as red goes with green on holiday decorations. If you are hoping that Santa scatters some glitter around your tree, filling your New Year with sparkle plenty, then here are some precious gem quotes to meditate on.
• • "Diamonds is my career!" — — from "Diamond Lil" by Mae West
• • "What shall I wear? ... God! But he's swell. What about my diamonds? Yes, I'll wear them, too. What will he say about the diamonds? But, no, he won't ask. He'll just think and that's what I want him to do — — think!" — — from "The Constant Sinner" by Mae West
• • I never worry about diets. The only carrots that interest me are the number of carats in a diamond. — — Mae West
• • No gold-digging for me; I take diamonds! We may be off the gold standard someday. — — Mae West
• • "She has more ice than a case of champagne. You can signal ships when you're hauling that kind of jewelry!" — — from "Courting Mae West"
• • Jewelry takes people’s minds off your wrinkles. — — Sonja Henie
• • Perhaps time’s definition of coal is the diamond. — — Kahlil Gibran
• • This diamond has so many carats it’s almost a turnip. — — Richard Burton
• • I really think that American gentlemen are the best after all, because kissing your hand may make you feel very very good but a diamond and a sapphire bracelet lasts forever. — — Anita Loo
• • "Diamonds Are a Girl's Best Friend" — — a song written by Jule Styne and Leo Robin

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• • Photo: Mae West
• • 1934 • •

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Saturday, August 15, 2009

Mae West & Texas Guinan Tour

The famous speakeasy hostess Texas Guinan backed Broadway shows including "Diamond Lil" starring MAE WEST. As New Yorkers prepare for the "Gaudy Girls on The Great White Way" walking tour on August 16th, here's a small section from the opening of ACT II of "Courting Mae West," a play based on true events during the Prohibition Era.
• • Mae West's gay play "Pleasure Man" had a $200,000 box office advance when it premiered at the Biltmore on 1 October 1928. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the Biltmore Theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore on 1 October 1928 is dramatized via a backstage visit to Mae's dressing room at the Royale Theatre, as the actress prepares to go onstage as the diamond-draped Bowery queen and consort of mobster Gus Jordan.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • "Courting Mae West" — — excerpt from ACT II, Scene 1 • •
• • • MAE WEST
That you, Jim?
• • • TEXAS GUINAN (TEXAS, age 44, enters MAE’s room clad in furs and diamonds)
The “butter and egg man” sent me, angel-pie.
• • • MAE WEST
The speakeasy hostess film-star herself! Still shooting in Flatbush? How’s it rolling, Texas?
• • • TEXAS GUINAN
It’s top-hat heavy. There’s a comical danse macabre with a District Attorney and a Judge.
• • • MAE WEST
Legal beagles! Don’t spoil my mood. Backers shouldn’t come backstage. It’s unlucky.
• • • TEXAS GUINAN
Pat from Variety visited the set of Queen of the Night Clubs. I steered her to your show tonight.
• • • MAE WEST
Oy! Variety’s always given me a black eye in print. They get my knickers in a knot.
• • • TEXAS GUINAN
This chick is a FAN. Pat admires the up-from-nothing Fellatio Alger characters in your plays.
• • • MAE WEST
My stomach’s full of “opening night” butterflies. Got enough congrats to wallpaper with.
(MAE shows TEXAS telegrams that arrived via Western Union)
• • • TEXAS GUINAN (TEXAS examines the telegrams)
• • • MAE WEST (MAE puts on stage jewelry for her role as the star of Diamond Lil)
Bet it warms Pat’s heart — to sit with you, basking in the glow of your investment-grade jewelry.
• • • TEXAS GUINAN
We would’ve had yuks. (pause) But you’ll be busy tonight — a little grape told me as it whined.
• • • MAE WEST
The Bowery Queen here is about to go on! Diamonds is my career…. NIX the BAD NEWS!
• • • TEXAS GUINAN
You need to know! Before he left for D.C., our Mayor gave his okay for a raid — at the Biltmore.
• • • MAE WEST (MAE is outraged and jumps out of her seat)
WHAT! It’s our opening night at the Biltmore! Tex, who told you there’ll be a raid tonight?
• • • TEXAS GUINAN
Walter Winchell doesn’t call me the gatekeeper of gossip for nothing.
• • • MAE WEST
Pleasure Man has a $200,000 advance. Who wants to sink my ship on its maiden voyage?
• • • TEXAS GUINAN
It’s pressure from the Prevention of Vice cranks. They’d convict the 12 apostles, if they could.
• • • MAE WEST
Convict! Stop with the unlucky words. My mother suffered when they jailed me last year.
• • • TEXAS GUINAN
I’ve learned to see the sunny side. Prison is one place where my diamonds seem safe.
• • • MAE WEST
Sunny! My trial ate my bankbook. I wanted to buy my parents a house. Now another raid!
• • • TEXAS GUINAN
Scandal is a career move. This time play the damsel in distress on the witness stand.
• • • MAE WEST
Mae West doesn’t do PATHETIC. (pause) Tex, what can be done to trouble-shoot this?
• • • TEXAS GUINAN
Honey-child, the problem with trouble-shooting is that, invariably, trouble shoots back.
• • • MAE WEST
Aww! My butterflies just went into battle formation. Diamond Lil goes on in thirty minutes.
• • • TEXAS GUINAN
Relax. You’ll get fried on the front page and it’ll boost your box office higher than a zeppelin.
• • • MAE WEST
Our Biltmore premier was sold out. An injunction can keep the show on — maybe. (MAE exits, bad posture revealing her agony from stomach cramps)
• • • TEXAS GUINAN
Never met a chick who was hurt by a headline. Give the little girl a nice big (pause) handcuff. (TEXAS exits with great style)
• • • • • • [LIGHTS: dim lights in MAE’s dressing room, Royale Theatre]
— — Excerpt: — —
• • • © "Courting Mae West: Sex, Censorship, and Secrets" by LindaAnn Loschiavo
• • • This play is protected under U.S. copyright law.
• • • NO permission is being given to duplicate this text anywhere else. Thank you.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]

• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read previous posts on this blog.
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• • Photo: Mae West
portrayed by Yvonne Sayers, Texas Guinan portrayed by Eileen Glenn • • one of the trial scenes in Courting Mae West • •

Mae West.

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Saturday, July 18, 2009

Mae West: Lil Fulfilled

The summer air was feverish with applause during July 1928 when MAE WEST was riding a big box office wave at the Royale Theatre.
• • Though this Broadway showplace [located at 242 West 45th Street] had first hung out its shingle during January 1927, and has become known for long-running musicals, a non-musical was the theatre's first bonanza: Mae West’s "Diamond Lil," which wriggled in on 9 April 1928 and maintained its sunny side up for over 170 performances.
• • Time Magazine took its temperature [issue dated Monday, 23 April 1928].
• • Time's theatre critic, sparing no flair, admitted Lil had his heart at hello: "Diamond Lil" — — Propped up under the armpits by a dress that might have been designed by the stage carpenter, Mae West played the role that she had written about a bygone queen of Manhattan's underworld. Diamond Lil was a harlot whose heart was as big and golden as the enormous swan shaped bed that stood in her elaborate cubicle above Gus Jordan's saloon and brothel. None the less, she was hardboiled; when a Salvation Army captain came to save her soul, she planned to seduce him and when a lady threatened a double cross, Diamond Lil stabbed her in the tenderloin district. Despite her efforts, Gus Jordan, the Bowery boss, is caught eventually, for white slave trafficking. The Salvation Army captain, really a member of the police force, is his captor; Diamond Lil cuddles into his arms at the end saying, "Boy, I knew you could be had.''
• • Actress West plays her heroine with an eloquent and minatory calm, which contrasts well with the chryselephantine magnificence of her appearance. There are old-time tough songs, outmoded slang words ("moll," "dick," "corset"), and singing waiters, one of whom yodels, in the musty barroom, the same song with which he recently amused Manhattan cabaret patrons. "Diamond Lil" is an entertaining melodrama, concluded Time's man on the aisle.
• • You just don't hear critics uttering "minatory" these days, do you? Minatory — — means of a menacing or threatening nature
• • And how about that $25 phrase "the chryselephantine magnificence"? Chryselephantine — — (adjective) means made of, or overlaid with, gold and ivory, as certain objects made in ancient Greece.

• • The Royale Theatre on West 45th will be one of the tour stops on 16 August 2009.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Previous walking tour photos can be seen on the Mae West Blog — — MaeWest.blogspot.com.
• • For more details, do read this blog and/ or post any questions.
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• • Photo: Mae West
• • onstage in 1928 as Diamond Lil • •

Mae West.

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Saturday, May 02, 2009

Mae West: Diamond's Ira

In 1928, MAE WEST approached Ira Hands to stage her latest play "Diamond Lil" at the Royale Theatre on Broadway.
• • Born on 24 June 1872 in Geneva, Illinois, Ira A. Hards aspired to be an actor. After a round of performances, touring in regional theatres, the personable 29-year-old made his Broadway debut in "Don Caesar's Return" [1901]. He began keeping company with Ina Hammer, who was also getting cast in mainstage productions in Times Square, and the theatre couple married. In between starring in an acclaimed silent film version of "King Lear" and on Broadway, busy Ina Hammer branched out as a stage director and soon took on another role: as a real-life mother with a sweet newborn daughter.
• • In September 1928, as things were winding down in Manhattan for the beauteous Bowery queen Diamond Lil, Ira Hands escorted his daughter Ina Isola Hards down the aisle when she wed Lieutenant Gordon Philip Saville of the Army Air Corps. Things were going well for the versatile theatre pro, who had developed new skills: directing, dialogue coaching, and producing.
• • Booth Tarkington [1869 — 1946] was especially indebted to Ira Hands for directing his Broadway plays "Magnolia" [1923] and "The Intimate Strangers" [1921]. After Mae's arrest in 1927, Booth Tarkington was commisioned to write an article — — and "When Is It Dirt?" [published in Collier's, The National Weekly, on 14 May 1927] discussed the issue of censorship and government intervention.
• • Ira Hards did well enough to maintain a residence in Manhattan and a country house in Connecticut. He found time to establish his own stock company at the Westchester Playhouse in Mount Kisco, New York, and devoted himself to a group called Young Actors' Development.
• • Among the many highlights of his busy three decades long career in the theatre world, Ira Hards directed and staged the original 1927 production of "Dracula" (starring Bela Lugosi) that ran for 261 performances at the Fulton Theatre on West 46th Street. Coincidentally, Hards's Stage Manager for "Dracula" was Carl Reed, who became Mae West's producer for the ill-fated Broadway run of "Pleasure Man" (1928) at the Biltmore Theatre.
• • When Ira Hards died in Norwalk, Connecticut in the month of May — — on 2 May 1938 — — The New York Times referred to the 65-year-old as a retired producer who presented many Broadway plays. His wife Ina passed away 15 years later in 1953.
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court. Scenes in Act II depict Mae's involvement with "Diamond Lil," "Pleasure Man," and her ensuing legal turmoil.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer for a for-profit production.
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• • Photo: Mae West
• • April 1928 • •

Mae West.

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Monday, April 27, 2009

Mae West: Jail Exit

On 27 April 1927, shortly after daybreak, MAE WEST was released from her jail cell.
• • The week before, one of her hometown papers ran with this headline: "Common Nuisance Mae West Goes to Jail."
• • On 20 April 1927 Mae West had been sentenced to ten days in the Women's Workhouse (then located on Welfare Island) in the middle of the East River.
• • During the trial in March and early April — — presided over by Judge George Donnellan — — Mae West had argued in a written statement that her plays were a work of art. Her lawyers made a case that "Sex" was a morally instructive drama. Mae did not take the stand. At Jefferson Market Court, Justice Donnellan had suggested a guilty verdict would be fitting, before the jurors went off to deliberate. Six hours later, the verdict came in. At her sentencing, Mae West was fined $500 and given 10 days to repent at an off-shore detention center.
• • The warden shortened her sentence by two days for good behavior.
• • The play "Courting Mae West" dramatizes the trial and the melee in court when the verdict comes in.
• • Mae was paid $1,000 to write about her experiences for a women's magazine. Some of her essay appears elsewhere on this blog. [Mae donated the $1,000 to the workhouse to establish a library for female inmates.]
• • Released from the lock-up on April 27th, Mae told the reporters — — who were waiting for her like Stage Door Johnnies — — that she had enough material for several plays now.
Criminal street cred served the playwright well when she sat down to write "Diamond Lil" about a woman with a thing for bling, whose motto is, "My career is diamonds."
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer for a for-profit production.
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• • Photo: Mae West
• • 27 April 1927 • •

Mae West.

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Sunday, April 19, 2009

Mae West Sentenced

April 19th was a memorable date for MAE WEST.
• • By 19 April 1911, while touring on the vaudeville circuit in Minneapolis, Mae had uttered five obscenities and owed Little Gorman, treasurer of their Curse Club, fifty cents for these infractions. In truth, by cursing and acting up, Mae was showing the troupe how rapidly dissatisfied she had become with "marital bliss" and her limp biscuit of a bridegroom Frank Wallace.
• • On 19 April 1933, bombshell Jayne Mansfield [1933 —1967] was born. Twenty-three years later, the starlet would be making the moves on Mickey Hargitay, then starring in the Mae West Revue. Miss Mansfield married the muscleman in 1957.
• • On 19 April 1962, Curtis Cooksey, who had co-starred with Mae in "Diamond Lil" [1928], and had created the leading man role of the handsome Captain Cummings during the play's maiden voyage on Broadway, committed suicide. Charismatic Curtis Cooksey, who was born on 9 December 1891 in Indiana, had contracted cancer and did away with himself at age 70.
• • • • Sentenced on 19 April 1927 • • • •
• • Most unforgettably, on 19 April 1927, actress Mae West was sentenced for her performance in "Sex," the Broadway play she wrote, cast, and starred in. She was given ten days in prison and the jail time seems to have done her good — — from a publicity standpoint. As she left the courtroom, followed by reporters, friends, fans, and gawkers, Mae predicted, "I expect this will be the making of me!"
• • Though Mae West was sentenced to 10 days, she actually only served 8 days. The actress received "time off for good behavior."
• • Last summer (July 2008), the cast of "Courting Mae West" acted out the chaos inside that Greenwich Village courtroom on 5 April 1927. The scintillating Yvonne Sayers, who portrayed Mae West, was on trial with Eric Eastman, who played her "Sex" co-star and co-defendant, Barry O'Neill. The judge's verdict ended Act I.

• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer.
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• • Photo: Mae West
• • 1927 • •

Mae West.

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Friday, December 26, 2008

Mae West: 1929

In the winter of 1929, MAE WEST was interviewed by Edgar Waite of the San Francisco Examiner. Here is a portion of their conversation.
• • Edgar Waite: Is it your purpose to reflect life as it is lived — — or are you trying to elevate the stage?
• • Mae West: Don't kid me. I've had one dominating purpose in writing such plays as "Diamond Lil," "The Drag," "Sex," "The Wicked Age," and "Pleasure Man."
• • Edgar: Moral uplift?
• • Mae: Box-office uplift.
• • Edgar: What luck?
• • Mae: Assorted. Last Monday at the Curran, we took in $300 more than Ethel Barrymore on her opening night last summer. On the other hand, if the district attorney of New York hadn't closed "Sex" because the curbstone bidding for tickets took too many cops off their regular beats, I'd have owned my own theatre by now.
• • Edgar: Do you consider your plays quite moral?
• • Mae: I consider them a theatrical representation of those phases of life which interest the public more than anything else, and have since the days of Sappho, Aspasia, and Delilah.
• • Edgar: And when was that?
• • Mae: Forever.
. . .
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The Curran Theatre
— — where Mae West performed her play in 1929 — — is located at 445 Geary Street, San Francisco, CA 94102.
• • "Courting Mae West" — — is a full-length play based on true events in the life of Mae West during the Prohibition Era.
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• • Photo: Mae West
• • 1928 illustration • •

Mae West.

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Saturday, August 30, 2008

Gus Jordan and Diamond Lil

Since MAE WEST had her eye on Tammany Hall perhaps for the entire time she lived in New York, she could spot a fixer.
• • "Big" Tim Sullivan [23 July 1862 — 31 August 1913] was a fixer extraordinaire and a born ward-heeler. This New York politician who controlled Manhattan's Bowery and Lower East Side districts as a prominent figure within Tammany Hall was the model for Mae's character Gus Jordan in "Diamond Lil."
• • Similarly, in "She Done Him Wrong" [1933] the bejewe
led chanteuse and brash entertainer Lady Lou (Mae West) works in the 1890s Bowery saloon of her boss and benefactor Gus Jordan (Noah Beery, Sr.), who has given her many diamonds.
• • Unbeknownst to Lady Lou, slick and sleazy Gus Jordan trafficks in white slavery (prostitution) and runs a counterfeiting ring (to help finance Lou's expensive rock collection). He also sends young women to San Francisco to be pickpockets. Gus works with two other crooked entertainer-assistants, Russian Rita (Rafaela Ottiano) and Rita's lover, the suave Serge Stanieff (Gilbert Roland).
• • Not as handsome as Beery and certainly far heavier, "Big" Tim Sullivan was born to poor Irish parents in the notorious Five Points neighborhood. Determined to be successful,
"Big" Tim Sullivan cultivated careers in business and politics. Over the course of 25 years beginning in 1886, Sullivan assembled a political machine that ruled the districts of lower Manhattan. A legitimate entrepreneur in the world of entertainment, Sullivan forged an effective brand of urban politics by fusing the traditional tactics of the machine with his influence in commercial leisure and organized crime.
• • Staging theatrical entertainments and athletic competitions, handing out food and clothing to constituents, and offering employment and social services to ordinary citizens won him many followers, but Sullivan's protection of key figures in the vice economy of the Lower East Side made him a rather controversial figure. Despite his frequent use of physical intimidation, "Big" Tim nonetheless worked to expand the franchise and give the disadvantaged a voice in municipal politics.
• • Both Mae West's character Gus Jordan and Tim Sullivan were active in a number of illegal activities including prostitution, white slavery, gambling, and extortion.
• • On 31 August 1913, "Big" Tim's body was found on the tracks in the Eastchester area of the Bronx, New York.
• • Sullivan's wake was held at his clubhouse — — located at 203 Bowery.
• • More than 25,000 people turned out for his funeral at St. Patrick's Old Cathedral, New York on Mott Street. Perhaps some "mourners" turned up solely to make sure this politico was dead.
• • Tim's clubhouse was down the block from the notorious Bowery "resort" near Houston Street, namely McGurk's Suicide Hall [295 Bowery]. The second chapter of "Diamond Lil" (a 256-page novelization of the play published by Macaulay in 1932) is Suicide Hall.
— — Source for some of this information: — —
• • Article: "Underworlds and Underdogs: Big Tim Sullivan and Metropolitan Politics in New York, 1889 — 1913"
• • Byline: Daniel Czitrom
• • Published in: The Journal of American History, vol. 78, no.2
• • Published on: September 1991
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• • Photo: Mae West
• • "Big" Tim Sullivan • • 1933 lobby card • •

Mae West.

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Monday, August 18, 2008

Coming Up Mae

MAE WEST was born in New York City 115 years ago on 17 August 1893.
• • To celebrate the occasion in style, the Diamond Divas led a group of two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon.
• • "Mae West's Walk on the Wild Side" tour visited the former residence of Judge Amadeo Bertini, who presided over Mae's Pleasure Man trial in 1930; the first speakeasy fined for violating the Volstead Act; infamous drag cabarets along West Third Street; and the building where Washington Square College coeds elected Mae West as their "prom girl" in 1927.
• • The August 17th outdoor event
received the weatherman's blessing. Ideal conditions prevailed and the lively group found it quite pleasant to linger and enjoy the musical interludes.
• • The musical program, sung by soprano Marlena de la Mora and Sharon Weinman, included: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Joining the tour group yesterday was the cast of "Courting Mae West" — — Yvonne Sayers, Neal Sims, Gloria Buccino, Mary Murphy, and Steven Viola.
• • This outdoor event — — which is part of the Annual Mae West Birthday Gala — — is scheduled every August in Manhattan and open to the public.
• • For info on Theatre District Tours: Seesaw864@juno.com
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• • Photo: Mae West
tour • • Sunday 17 August 2008 • •

Mae West.

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Thursday, July 31, 2008

Mae West: Cinderella

Born like MAE WEST in Brooklyn, New York, Sylvia Syms [2 December 2, 1917 — 10 May 1992] was a jazz singer whose birthname was Sylvia Blagman.
• • When she was a child, Sylvia contracted polio — — a disease that also afflicted Mae's sister Beverly and causes some sufferers to put on weight.
• • As a teen, Sylvia found her way to jazz joints on New York's "Prohibition Row" [West 52nd Street]. In 1941, the 24-year-old debuted at a club called Billy's Stable.
• • During 1948, Mae West went to performances at the Cinderella Club in Greenwich Village to see Rae Bourbon and listen to keyboard king Willie "The Lion" Smith. Fortunately for Sylvia Sims, Mae caught her act onstage there, too. Mae West gave her the part of Flo the Shoplifter in a Broadway revival of Diamond Lil.
• • Thanks to this big break and the exposure Mae West afforded her, Sylvia Syms appeared on the stage as Bloody Mary in South Pacific and as Dolly Levi in Hello, Dolly! — — and also acted in straight roles.
• • Among others who observed her in night spots was Frank Sinatra who considered her the "world's greatest saloon singer." Sinatra conducted her album "Syms by Sinatra" [1982].
• • Signed to Decca Records, she had a million-selling record in 1956 with an up-tempo version of "I Could Have Danced All Night" from the soundtrack of My Fair Lady.
• • She died on stage at age 74 in New York City from a heart attack.
• • On Sunday 17 August 2008, during the "Mae West's Walk on the Wild Side" walking tour, the group will visit the Cinderella Club and "I Could Have Danced All Night" will be sung live by a vivacious actress, a native New Yorker who has performed in many musicals.

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• • Photo: Mae West's protege
• • Sylvia Syms • •

Mae West.

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Wednesday, July 30, 2008

Mae West: 1928

Eighty years ago MAE WEST stepped into a glorious phase of her career. That was her big Broadway bonanza in 1928 — — and a gem it was.
• • "Diamond Lil" debuted at the Royale Theatre [242 West 45th Street, NYC 10036]
on 9 April 1928. It was a box office success as well as a favorite with drama critics.
• • Though Mae had worn contemporary styles as Margy LaMont in "Sex," she situated her 1928 script on the Bowery [New York City] during the Gay Nineties. Even after the show's run, Diamond Lil would become the actress's enduring persona.
• • Engaging gowns designed by the British costumer Dolly Tree [18991962] balanced Mae West's scarlet sisterhood style with a glamorous touch that made her more appealing to a middle-class audience.
• • Floor-sweeping creations
featured the hour-glass waist, revealing cleavage, frills and flounces, feather boas, and 1890-ish accessories that have meshed with Mae West's iconic image.
• • Dolly Tree also worked with Mae West on the costumes for another project staged on Broadway in 1928: The Pleasure Man.
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• • Photo: Mae West
• • 1928 • •

Mae West.

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Tuesday, July 22, 2008

Act II, Scene 1 - the raid at the Biltmore

MAE WEST's gay play "Pleasure Man" had a $200,000 box office advance when it premiered at the Biltmore on 1 October 1928. The police raided the show, however, and shut it down the same night. Perhaps this was an easy target, since the theatre was on the same block as the precinct: 47th Street, west of Broadway.
• • The infamous raid at the Biltmore is dramatized in the play "Courting Mae West," which will have its final performance on Tuesday 22 July 2008 at the Algonquin Theatre [123 East 24th Street] in Manhattan.
• • The Algonquin's manager Mark Sportiello, who attended two performances, has become a big fan of both the play and the talented cast. "Courting Mae West is what great theatre is supposed to be!" said Sportiello, whose brother Tony is an award-winning playwright.
• • In "Courting Mae West," Texas Guinan [portrayed by Eileen Glenn] visits Mae West [portrayed by Yvonne Sayers] backstage at the Royale Theatre to warn her about the raid.
• • MAE WEST: Tex, isn't there a way to trouble-shoot this?
• • TEXAS GUINAN: Honey child, the problem with trouble-shooting is that, invariably, trouble shoots back!
• • In addition to battling a hex by legal voodoo, Mae West was in enormous physical pain during 1928.
• • The usually healthy, resilient, durable actress had begun to experience fierce abdominal agony, perhaps from stress. When the infamous raid at the Biltmore Theatre occurred, New York's bulldog of a district attorney was threatening her with another jail term.
• • Seized by the talons of legal eagles, Mae was rescued (somewhat) and got a jolt of good news from her savvy attorney Nathan Burkan. Burkan had convinced a judge to allow Mae to continue touring in "Diamond Lil."
• • Adding more relief to Mae's life was the fact that the Shuberts had just bought out Mark Linder, who had staked a claim on "Diamond Lil" because he suggested the locale.
• • Info and showtimes are here — — and we invite you to come up and see Mae.
• • "COURTING MAE WEST" opens at 6 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• •
"COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 6:00 PM
• • July 20th, 2008 — — 2:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to "COURTING MAE WEST" are $18 per adult.
• •
Theatermania.com sells the tickets — — http://www.theatermania.com/content/show.cfm/show/144297
• • Phone 212-352-3101 and get a ticket.
• • The play is 95 minutes.

• • Get ready to come up and see Mae West, Texas Guinan, and the gang onstage in mid-July 2008.
_____________________________________________________________
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• • Photo: Mae West
cast • • Yvonne Sayers and Eileen Glenn • •

Mae West.

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